|
xi | ||||
Notes and Acknowledgments | xiii | ||||
Introduction | xv | ||||
I. The Phantasms of Eros | |||||
|
3 | (8) | |||
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11 | (5) | |||
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16 | (3) | |||
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19 | (3) | |||
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22 | (9) | |||
II. In the World of Odradek: The Work of Art Confronted with the Commodity | |||||
|
31 | (5) | |||
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36 | (5) | |||
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41 | (6) | |||
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47 | (9) | |||
|
56 | (7) | |||
III. The Word and the Phantasm: The Theory of the Phantasm in the Love Poetry of the Duecento | |||||
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63 | (10) | |||
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73 | (17) | |||
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90 | (12) | |||
|
102 | (9) | |||
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111 | (13) | |||
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124 | (11) | |||
IV. The Perverse Image: Semiology from the Point of View of the Sphinx | |||||
|
135 | (6) | |||
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141 | (11) | |||
|
152 | (7) | |||
Index | 159 |