Introduction | p. 5 |
Materials and Tools | p. 6 |
Pencils | p. 6 |
Charcoal | p. 7 |
Colored Pencils and Chalks | p. 8 |
Pen and Ink | p. 8 |
Papers and Other Surfaces | p. 9 |
Erasers | p. 10 |
Fixative | p. 10 |
Scratchboard | p. 11 |
Basic Concepts | p. 13 |
Elements of Art | p. 13 |
Qualities of Shading | p. 16 |
Principles of Composition | p. 17 |
Sketching and Suggesting Depth | p. 20 |
Rough Sketches | p. 20 |
Drawing from Photos and from Observation | p. 21 |
More About Forms and Shapes | p. 22 |
Complex Forms | p. 22 |
Using Perspective and Other Ways of Suggesting Depth | p. 24 |
Linear Perspective | p. 26 |
Activity 1. Arrange and Sketch a Simple Still Life | p. 28 |
Working with Images: Cropping and Grids | p. 30 |
Using a Viewfinder to Help Choose a Composition | p. 31 |
Enlarging an Image by the Diagonal Method | p. 32 |
Using a Grid to Enlarge an Image | p. 33 |
Using a Grid to Distort an Image | p. 35 |
Projects | |
Smudge Shading on a Contour Drawing | p. 36 |
Creating a Series of Contour Drawings | p. 37 |
Creating a Composition from Contour Drawings | p. 39 |
A Few Words About Composition | p. 41 |
Practicing Smudge Shading | p. 42 |
Creating the Finished Smudge-Shaded Drawing | p. 43 |
Ink Drawing with Hatch and Cross-Hatch Shading | p. 45 |
Creating a Sketch | p. 46 |
Practicing Cross-Hatch Shading with Ink | p. 47 |
Drawing and Shading Your Composition | p. 48 |
Montage Composition with Cross-Hatch and Smudge Shading | p. 51 |
Creating a Composition of Several Images | p. 52 |
Practicing Gradation of Value with Lines | p. 55 |
Making the Final Drawing | p. 56 |
Random Line Shading with Gesso | p. 59 |
Creating a Sketch | p. 60 |
Photos As a Source of Subject Matter | p. 61 |
Preparing the Gesso Board | p. 62 |
Transferring the Preliminary Drawing to the Gesso Board | p. 63 |
Shading the Drawing | p. 64 |
Charcoal Portrait on Toned Paper | p. 68 |
Working on the Sketch | p. 70 |
Basic Proportions of the Face | p. 71 |
Transferring the Sketch and Completing the Drawing | p. 74 |
Cross-Hatch Shading on Scratchboard | p. 77 |
Creating a Drawing | p. 78 |
Transferring the Drawing to Scratchboard | p. 79 |
Practicing Scratchboard Technique | p. 80 |
Executing the Drawing on Scratchboard | p. 81 |
Nonobjective Design with Colored Pencils | p. 84 |
Using a Viewfinder to Choose a Composition | p. 85 |
Enlarging the Composition | p. 86 |
Transferring the Sketch to Drawing Paper | p. 88 |
Practice Mixing Colors with Colored Pencils | p. 89 |
A Little Color Theory | p. 90 |
Creating the Final Drawing | p. 92 |
Index | p. 94 |
About the Authors | p. 96 |
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