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Preface | p. 7 |
Introduction | p. 9 |
The Birth of Christian Music | p. 15 |
Music in the Old Testament | p. 16 |
The Psalms in Temple Worship | p. 20 |
Music in the Synagogue | p. 22 |
Music in the Early Church | p. 24 |
The Spread of Christianity | p. 26 |
The Beginning of the Western Middle Ages | p. 29 |
Worship in Fifth-Century Jerusalem | p. 30 |
The Monastic Tradition | p. 33 |
Antiphons | p. 35 |
Cantillation | p. 37 |
Music of the Spheres: the Medieval World-View | p. 38 |
The Eleventh-Century Mass | p. 41 |
Music for the Liturgy | p. 42 |
The Development of Notation | p. 44 |
From the Ear to the Page | p. 45 |
Rich Church: Poor People | p. 46 |
From Gregorian Chant to Polyphony | p. 49 |
Wycliffe's Challenge to the Church | p. 55 |
Renaissance and Reformation | p. 57 |
Luther and the Reformation | p. 58 |
The Renaissance | p. 59 |
Lutheran Song | p. 62 |
The Swiss Reformers-the Calvinist Tradition | p. 64 |
The Genevan Psalter | p. 66 |
The Reformation in England | p. 67 |
The Eton Choirbook | p. 68 |
The Catholic Reformation | p. 72 |
Organ Music | p. 76 |
The Golden Age of Spanish Music | p. 78 |
The Power of Music | p. 81 |
The Flowering of Christian Music | p. 83 |
The Development of Oratorio | p. 84 |
The Splendours of Monteverdi | p. 86 |
The Music of the Lutheran Church | p. 87 |
Christmas 1659 in the Nikolaikirche, Berlin | p. 89 |
Heinrich Schutz | p. 90 |
Patronage | p. 92 |
J.S. Bach | p. 93 |
Bach's Cantatas | p. 95 |
The Moravian Brethren | p. 98 |
Turmoil in England: Commonwealth and Restoration | p. 101 |
The Glory of the Chapel Royal | p. 105 |
The Music of the Chapel Royal | p. 106 |
Henry Purcell | p. 108 |
English Congregational Music: the Birth of the English Hymn | p. 110 |
Handel and Messiah | p. 114 |
Wales--Land of Song | p. 118 |
The Path Divides | p. 119 |
Music in the Courts of Europe | p. 120 |
The Romantic Movement | p. 122 |
The Cecilian Movement | p. 124 |
The Corruption and Resurrection of the Chant | p. 126 |
The Decline of the Lutheran Hymn | p. 130 |
'A Dismal Melody' | p. 131 |
The Church of England and the Tractarians | p. 133 |
The Demise of the West Gallery Players | p. 137 |
Revival in the Nineteenth Century | p. 138 |
The Path Divides | p. 141 |
Eastern Traditions | p. 143 |
The Orthodox Churches | p. 144 |
Worship in the Orthodox Church | p. 148 |
The Greek Orthodox Church | p. 150 |
The Divine Liturgy of the Orthodox Church | p. 153 |
Notation in the Greek Orthodox Church | p. 154 |
The Russian Orthodox Church | p. 156 |
The Coptic and Ethiopian Churches | p. 160 |
Notation in Ethiopian Music | p. 165 |
Christianity, East and West-Worlds Apart? | p. 166 |
The African Genius | p. 169 |
Africa and the Influence of Western Music | p. 170 |
Cameroun: African Christian Music | p. 172 |
A Marriage of African and Western Music | p. 174 |
The Independent Churches | p. 177 |
The True Christian Music of Africa | p. 178 |
Music in North America | p. 181 |
Christianity comes to the New World | p. 182 |
William Billings | p. 186 |
Africans in America | p. 191 |
Camp meetings | p. 192 |
A 'Shout' | p. 194 |
North and South | p. 196 |
The Fisk Jubilee Singers | p. 198 |
Gospel Music: White and Black | p. 200 |
Tommy Dorsey | p. 204 |
Take Six | p. 206 |
The United States and the European Classical Tradition | p. 207 |
Charles Ives | p. 210 |
The Charismatic Movement | p. 212 |
Music in Twentieth-Century Europe | p. 213 |
Roman Catholic Music in Europe this Century | p. 214 |
The Bible in the Concert Hall | p. 219 |
Vatican II and the Liturgy | p. 223 |
L'Abbe de Silvanes | p. 224 |
Taize | p. 227 |
Lutheran Musical Revival | p. 228 |
Hugo Distler | p. 230 |
The Kirchensteuer: Church Tax | p. 232 |
Music in Britain | p. 234 |
The Royal School of Church Music | p. 236 |
Leaping into the Dark--Musical Innovation | p. 238 |
The Popular Stream | p. 240 |
Good Music--Good Worship? | p. 243 |
What is excellence? | p. 244 |
Conclusion | p. 245 |
Footnotes | p. 247 |
Glossary | p. 251 |
Index | p. 254 |
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