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Acknowledgement | |
Brief chronology 1953-1989 | |
Introduction | |
Part I. Theory: 1. Strategies of political theatre: a theoretical overview | |
Part II. Two Model Strategies: 2. The 'Reflectionist' strategy: 'Kitchen Sink' realism in Arnold Wesker's Roots (1959) | |
3. The 'Interventionist' strategy: poetic politics in John Arden's Serjeant Musgrave's Dance (1959) | |
Part III. The Reflectionist Strain: 4. The dialectics of comedy: Trevor Griffiths Comedians (1975) | |
5. Appropriating middle-class comedy: Howard Barker's Stripwell (1975) | |
6. Staging the future: Howard Brenton's The Churchill Play (1974) | |
Part IV. The Interventionist Strain: 7. Agit-prop revisited: John McGrath's The Cheviot, the Stag, and the Black, Black Oil (1973) | |
8. Brecht revisited: David Hare's Fanshen (1975) | |
9. Rewriting Shakespeare: Edward Bond's Lear (1971) | |
10. The Strategy of play: Caryl Churchill's Cloud Nine (1979) | |
Conclusion | |
Notes | |
Bibliography | |
Index. |
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