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9781852245153

Strong Words

by
  • ISBN13:

    9781852245153

  • ISBN10:

    1852245158

  • Format: Paperback
  • Copyright: 2001-03-01
  • Publisher: Bloodaxe Books Ltd
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Table of Contents

A Note on the Text 10(1)
Introduction: Writing into the Dark 11(6)
A Retrospect
17(9)
Ezra Pound
A General Introduction for my Work
26(5)
W.B. Yeats
Tradition and the Individual Talent
31(8)
T.S. Eliot
Observations on Poetry 1922-1925
39(5)
Robert Graves
The Figure a Poem Makes
44(3)
Robert Frost
General Aims and Theories
47(5)
Hart Crane
Foreword from is 5
52(2)
E.E. Cummings
Explaining 'A Rose is a Rose is a Rose'
54(2)
Gertrude Stein
Adagia
56(11)
Wallace Stevens
The Virgin and the Dynamo
67(5)
W.H. Auden
A Statement
72(2)
Louis MacNeice
A Theory of Scots Letters
74(6)
Hugh MacDiarmid
The Poet's Point of View
80(3)
Basil Bunting
On Measure -- Statement For Cid Corman
83(4)
William Carlos Williams
A Statement For Poetry
87(5)
Louis Zukofsky
Projective Verse
92(8)
Charles Olson
To Define
100(2)
Robert Creeley
`I believe poets are instruments'
102(1)
Denise Levertov
`I tend to write in a patterned arrangement'
103(1)
Marianne Moore
Letter to Miss Pierson
104(2)
Elizabeth Bishop
On 'Skunk Hour'
106(4)
Robert Lowell
Answers to Questions
110(3)
Randall Jarrell
`Poetry is like a man'
113(2)
Keith Douglas
Notes on the Art of Poetry
115(2)
Dylan Thomas
Notes on a Poetry of Release
117(5)
W.S. Graham
Self Portrait
122(5)
Patrick Kavanagh
How to be a Bad Writer
127(2)
Langston Hughes
`When the Mode of the Music Changes the Walls of the City Shake'
129(3)
Allen Ginsberg
Personism: A Manifesto
132(3)
Frank O'Hara
`How You Sound??'
135(2)
Amiri Baraka (Leroi Jones)
Poetry is Not a Luxury
137(4)
Audre Lorde
Poetry and Experience: Statement at a Poetry Reading
141(2)
Adrienne Rich
Writing a Poem
143(2)
Thom Gunn
A Comparison
145(3)
Sylvia Plath
My Muse
148(2)
Stevie Smith
Statement
150(2)
Philip Larkin
Words and Experience
152(6)
Ted Hughes
Craft and Technique
158(3)
Seamus Heaney
`Poetry is all I write'
161(2)
Tony Harrison
A Difficult Simple Art
163(4)
Douglas Dunn
In Conversation
167(5)
Derek Walcott
Go Figure
172(1)
Paul Muldoon
Tracking The Wind Dog
173(4)
Tom Paulin
Babylonish Dialects
177(4)
Craig Raine
A Few Words for the New Century
181(3)
Anne Stevenson
Contexts: An Essay on Intentions
184(4)
C.K. Williams
A Question of Voice
188(2)
Elaine Feinstein
Roof of Fireflies
190(5)
Edwin Morgan
From the Introduction to Radical Renfrew
195(3)
Tom Leonard
Not Quite a Statement
198(3)
Fleur Adcock
The Instrument
201(2)
Les Murray
Almost a Dialogue with Lyn Hejinian: Quotations and Phantom Limbs...
203(5)
John Kinsella
War, Poetry, the Child
208(3)
U.A. Fanthorpe
`The poetry I feel closest to'
211(2)
Grace Nichols
Voices
213(2)
Brendan Kennelly
The Wrong Way
215(4)
Eavan Boland
And Cry Jesus to the Mice
219(3)
Medbh McGuckian
Poetry's Concern
222(4)
Bernard O'Donoghue
Common and Peculiar
226(3)
David Constantine
Leaping Versus Blabbing
229(4)
Hugo Williams
Yes and No
233(1)
Andrew Motion
The Other
234(2)
Ciaran Carson
Proceedings in Palmersville
236(5)
Sean O'Brien
`I happen to believe'
241(2)
Michael Hofmann
My Report Card
243(2)
Michael Donaghy
Racoons -- or, Can Art Be Evil?
245(3)
Selima Hill
Poetry Makes Nothing Happen
248(4)
Sarah Maguire
Re-Writing the Good Book
252(4)
Simon Armitage
Strictures
256(3)
Glyn Maxwell
Strong Words
259(3)
John Burnside
Cosmopolibackofbeyondism
262(3)
Robert Crawford
Whose Coat is that Jacket? Whose Hat is that Cap?
265(5)
Gwyneth Lewis
Further Adventures in the Skin Trade
270(4)
Fred D'Aguiar
Interior with Extension Cord
274(3)
Lavinia Greenlaw
Holding Fast -- Truth and Change in Poetry
277(5)
Kathleen Jamie
Aphorisms
282(5)
Don Paterson
A Manifesto
287(2)
John Hartley Williams
Acknowledgments and Further Reading 289(14)
Index 303

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