Preface | p. 1 |
Norman Feder as Hobbyist, Cultural Scientist, and Social Mover | p. 2 |
Norman Feder's Double Standard: Case Studies in Critical Examination of Objects | p. 4 |
Norman Feder at the Denver Art Museum: A Chronology, 1958-1973 | p. 16 |
Norman Feder and American Indian Art Magazine, 1977-1995 | p. 23 |
Norman Feder and American Indian Art Studies | p. 26 |
Norman Feder: A Bibliography | p. 30 |
Norman Feder and the Central Coast Salish Art Style | p. 33 |
The Crow Ceremonial Shirt: History and Development of Styles, 1800-1900 | p. 42 |
Quill-Wrapped Horsehair: Two Rare Quilling Techniques | p. 53 |
Seven War-Exploit Paintings: A Search for Their Origins | p. 69 |
The Cosmic Turtle: A Unique Representation of Cheyenne Cosmological Beliefs | p. 86 |
A Piece of the Past: Alaskan Eskimo Art and the Nome Gold Rush, 1895-1915 | p. 96 |
Reading Pictorial Imagery in Washoe Basketry | p. 107 |
Quilled Bark from the Central Great Lakes: A Transcultural History | p. 118 |
California Feather Blankets: Objects of Wealth and Status in Two Nineteenth-Century Worlds | p. 132 |
Documenting the Speyer Collection | p. 162 |
Comparative Evidence, Critical Reasoning, and the Identification of Styles: A (Knife)Case in Point | p. 187 |
Index | p. 205 |
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