Preface | |
Introduction | |
Foregrounding, Estrangement, and Pattern | |
Foregrounding: Past, Present, Future | |
Modernist Poetics of Estrangement: Ezra Pound's Answer to Stephane Mallarme | |
Local Interpretation and the Syntax of Keats's 'To Autumn' | |
Formal Analysis and the Analysis of Form | |
Story Elements as Sets | |
The Metrical Structure of Taiwanese Nursery Rhymes: A Corpus Study | |
Embodiment and the Irreducible Sign: Towards a Theoretical Anthropo-Semiotic Grounding for Literary Textual Analysis | |
Speech and Thought Presentation | |
Historical Transformations of Free Indirect Style | |
Using Speech and Thought Presentation to Validate Hypotheses Regarding the Nature of the Crime Novels of Andrea Camilleri | |
How to Make a Drama out of a Speech Act: The Speech Act of Apology in the Film A Fish Called Wanda | |
Bibliography | |
Index | |
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