Acknowledgments | ix | ||
ONE. Display, Invisibility, and the Victorian Feminine Ideal | 1 | (23) | |
TWO. The Uses of Obscurity: Jane Eyre, Lucy Snowe, and the Disposition against Display | 24 | (37) | |
THREE. Display and the Body from David Copperfield to Bleak House | 61 | (26) | |
FOUR. George Eliot's Exhibitionist Desire | 87 | (29) | |
FIVE. Getting Fixed: The Turn of the Screw and the Contradictions of Genteel Femininity | 116 | (19) | |
SIX. The Subject of Display in Theory and History | 135 | (12) | |
Notes | 147 | (26) | |
Works Cited | 173 | (10) | |
Index | 183 |
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