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| IntroductionSublime Economy: On the Intersection of Art and Economics | |
| Tokens of Eccentricity': Value and the Aesthetic Representation of Economy | |
| Tracing the Economic: Modern Art's Construction of Economic Value | |
| Meaning to Say | |
| Use, Value, Aesthetics: Gambling with Difference/Speculating with Value | |
| Sublime Intercourse: Economics Meets Aesthetics (and Vice Versa) | |
| Reluctant Partners: Aesthetic and Market Value, 1708-1871 | |
| On the Contemporaneousness of Roger de Piles' | |
| How Aesthetics and Economics Met in Voc Ed | |
| Economics Meets Esthetics in the Bloomsbury Group | |
| Individualism, Civilization, and National Character in Market Democracies | |
| Fleeing Capitalism: A Slightly Disputatious Conversation/Interview among Friends | |
| Name Your Price | |
| Imaginary Currencies:Contemporary Art on the Market - Critique Confirmation, or Play | |
| The Sociology of the New Art Gallery Scene in Chelsea, Manhattan | |
| Lives of Cultural Goods | |
| Moral Economies and the Romance of Money | |
| Wampum: Foreign Legal Tender of the United States | |
| The Rhetoric of Prostitution | |
| From Roman Copy to Greek Original: Nineteenth Century Re-evaluation of the Classical Statue | |
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