List of figures, illustrations, and tables | p. xiii |
Contributors | p. xv |
Acknowledgments | p. xix |
Introduction: Sublime economy: on the intersection of art and economics | p. 1 |
"Tokens of eccentricity": value and the aesthetic representation of economy | p. 27 |
Tracing the economic: modern art's construction of economic value | p. 29 |
Meaning to say ... | p. 65 |
Use, value, aesthetics: gambling with difference/speculating with value | p. 82 |
Sublime intercourse: economics meets aesthetics (and vice versa) | p. 93 |
Reluctant partners: aesthetic and market value, 1708-1871 | p. 95 |
On the contemporaneousness of Roger de Piles' Balance des Peintres | p. 112 |
How aesthetics and economics met in voc ed | p. 124 |
Economics meets esthetics in the Bloomsbury Group | p. 137 |
Individualism, civilization, and national character in market democracies | p. 152 |
Art, fleeing from capitalism: a slightly disputatious interview/conversation | p. 172 |
Name your price | p. 201 |
Imaginary currencies: contemporary art on the market-critique confirmation, or play | p. 203 |
The sociology of the new art gallery scene in Chelsea, Manhattan | p. 220 |
The lives of cultural goods | p. 250 |
Moral economies and the romance of money | p. 273 |
The rhetoric of prostitution | p. 275 |
A heap of worthless fragments: the nineteenth-century literary revaluation of the classical statue | p. 291 |
Index | p. 312 |
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