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James Mottram is the author of The Making of Memento (Faber, 2002). He lives in London.
List of Illustrations | p. ix |
Acknowledgments | p. xii |
Introduction: Pizza Knights, F-64 and The Mild Bunch | p. xiii |
The Sundance Years | |
'It's All Downhill from Here': How Steven Soderbergh Paves the Way for the Next Generation | p. 3 |
Talk Is Cheap: Sundance After sex, lies, and videotape | p. 15 |
Reservoir Dogs and the Class of '92 | p. 27 |
The Changing Face of Sundance: Public Access and Spanking the Monkey | p. 37 |
'Trespassing on Hallowed Ground': Kafka and King of the Hill | p. 51 |
Indiewood | |
Pulp Fact: The Rise of Miramax as Hollywood Embraces Tarantino-mania | p. 67 |
Austin Power: How Robert Rodriguez and Richard Linklater Bucked the System | p. 85 |
Genre I: Crime Does Pay - The Underneath, The Usual Suspects and Se7en | p. 105 |
The Second Wave: The Conflicts of Citizen Ruth, Hard Eight and Bottle Rocket | p. 125 |
Spreading Propaganda: The Rise of David Fincher and Spike Jonze | p. 149 |
Beyond the Fringe: Schizopolis and Gray's Anatomy | p. 169 |
Adult Entertainment: Hollywood Grows Up with Boogie Nights | p. 185 |
Genre II: School Days - Election, Rushmore and Apt Pupil | p. 203 |
Adaptation: Tarantino and Soderbergh Meet Elmore Leonard | p. 225 |
The Sundance Sisters: Sofia Coppola and Kimberly Peirce | p. 243 |
Annus Mirabilis: How 1999 Became the Year of the Sundance Kids | p. 255 |
The Insiders | |
King of the Hills: Soderbergh Comes Back from the Brink | p. 285 |
The X-Man: Bryan Singer Takes on the Blockbuster | p. 305 |
Being Charlie Kaufman: How One Man Tried to Debunk the Three-Act Structure | p. 317 |
Family Ties: The Royal Tenenbaums, About Schmidt and Punch-Drunk Love | p. 339 |
The Failure of F-64: Soderbergh and Fincher Face the Firing Line | p. 359 |
Top of the Bill: Sofia Coppola and Wes Anderson Find Their Muse | p. 379 |
Middle-Age Malaise: Kill Bill and Ocean's Twelve | p. 397 |
Lit Up by the Searchlight: I [Characters not reproducible] Huckabees and Sideways | p. 413 |
Epilogue: Bursting the Bubble | p. 435 |
Notes | p. 447 |
General Index | p. 453 |
Index of Films | p. 471 |
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Excerpted from The Sundance Kids: How the Mavericks Took Back Hollywood by James Mottram
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