Gerald Vizenor Aesthetics of Survivance: Theory and Practice An Introduction | |
Why It's A Good Thing Gerald Vizenor Is Not An Indian | |
Native Survivance in the Americas: Resistance and Remembrance in Narratives | |
On Subjectivity and Survivance: Re-Reading Trauma through The Heirs of Columbus and The Crown of Columbus | |
Playing Indian: Manifest Manners, Simulation and Pastiche | |
William Apess, Storier of Survivance | |
As Long as the Hair Shall Grow: Survivance in Eric Gansworth's Reservation Fictions | |
The War-Cry of the Trickster: The Concept of Survivance in Gerald Vizenor'sBear Island: The War at Sugar Point | |
Shifting the Ground: Theories of Survivance in From Sand Creekand Hiroshima Bugi: Atomu 57 | |
Total Apocalypse, Total Survivance: Nuclear Literature and/or Literary Nucleus-Melville, Salinger, Vizenor | |
Facing the Wiindigoo: Gerald Vizenor and Primo Levi | |
Tactical Mobility as Survivance:Bone Gameand Dark Riverby Louis Owens | |
Ghosts in the Gaps: Glancy's Paradoxes of Survivance | |
The Naked Spot: A Journey Toward Survivance | |
Survivance in the Works of Velma Wallis | |
Writing Survivance: A Conversation with Joseph Boyden | |
A Lantern to See By: Survivance and a Journey into the Dark Heart of Oklahoma | |
Survivance Memories: The Poetry of Carter Revard | |
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