What is included with this book?
Preface | p. 1 |
Puck's Magic Mojo: The Achievements of Suzan-Lori Parks | p. 7 |
Everything and Nothing: The Political and Religious Nature of Suzan-Lori Parks's ôRadical Inclusionö | p. 20 |
ôJazzingö Time, Love, and the Female Self in Three Early Plays by Suzan-Lori Parks | p. 34 |
ôYou one of uh mines?ö Dis(re)membering in Suzan-Lori Parks's Imperceptible Mutabilities in the Third Kingdom | p. 45 |
Sampling and Remixing: Hip Hop and Parks's History Plays | p. 65 |
ôFor the Love of the Venusö: Suzan-Lori Parks, Richard Foreman, and the Premiere of Venus | p. 76 |
ôA Full Refund Aint Enoughö: Money in Suzan-Lori Parks's Red Letter Plays | p. 88 |
Does Reshuffling the Cards Change the Game? Structures of Play in Parks's Topdog/Underdog | p. 103 |
Suzan-Lori Parks's 365 Days/365 Plays: A (W)hole New Approach to Theatre | p. 124 |
Parks and the Traumas of Childhood | p. 140 |
Demeter, Persephone and Willa Mae Beede: Suzan-Lori Parks Gets Mother's Body | p. 156 |
The Unconscious and Metaphors in Suzan-Lori Parks's Screenplays of Girl 6 and Their Eyes Were Watching God | p. 169 |
An Interview with Suzan-Lori Parks | p. 181 |
A Parks Remix: An Interview with Liz Diamond | p. 191 |
A Production History of the Works of Suzan-Lori Parks | p. 203 |
About the Contributors | p. 207 |
Index | p. 211 |
Table of Contents provided by Ingram. All Rights Reserved. |
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