Foreword | p. ix |
Preface | p. xi |
Acknowledgements | p. xiii |
Introduction and Basics | |
Why Read This Book?: How This Book Can Help You | p. 3 |
Where Do I Start?: The Basics | p. 9 |
Are There Any Golden Rules?: The Three Connections | p. 31 |
Text | |
What Do I Say and How Do I Say It?: Handling Modern Text | p. 35 |
And How the Hell Do I Say This?: Handling Classical Text | p. 71 |
Subtext | |
Who Am I?: Building Your Character | p. 154 |
Where Am I and When?: Establishing Time and Place | p. 175 |
What Do I Want?: Identifying Your Character's Objectives | p. 183 |
What's Been Going on Before?: Fleshing Out the Back Story | p. 191 |
What's Going on Now?: Exploring the Internal Dynamics of a Scene | p. 195 |
Helpful Extras | |
How Do I Stop Sabotaging Myself?: Dealing with the Inner Critic | p. 237 |
How Do I Share the Work Truthfully?: Transferring from Rehearsal to Performance | p. 243 |
How Do I Convince Them?: Handling Auditions and Castings | p. 252 |
What Do I Do When ...?: Troubleshooting | p. 260 |
Conclusion | p. 277 |
Appendices | |
And What About ...?: Extra Notes on Classical Text | p. 281 |
And Where Will I Find That?: The Exercise Finder | p. 303 |
Endnotes | p. 311 |
Index | p. 313 |
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