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List of Illustrations | p. xi |
General Editors' Preface | p. xiii |
Acknowledgements | p. xv |
Chronology | p. xvii |
Abbreviations and Note on Editions | p. xxiii |
Introduction | p. xxv |
Origins | p. xxvi |
Sources | p. xxxv |
Reception | p. 1 |
Tales of Unrest | p. 1 |
Author's Note | p. 5 |
Karain: A Memory | p. 11 |
The Idiots | p. 51 |
An Outpost of Progress | p. 75 |
The Return | p. 101 |
The Lagoon | p. 153 |
The Texts: an Essay | p. 175 |
Karain: A Memory | p. 177 |
The Idiots | p. 186 |
An Outpost of Progress | p. 198 |
The Return | p. 207 |
The Lagoon | p. 217 |
The Copyright Editions | p. 223 |
Book Editions | p. 225 |
Copy-texts and Emendation | p. 235 |
The 'Author's Note' | p. 238 |
The Cambridge Texts | p. 242 |
Apparatus | p. 245 |
Emendation and Variation | p. 245 |
Emendations of Accidentals | p. 267 |
End-of-line Word-division | p. 278 |
Textual Notes | p. 279 |
Appendices | p. 285 |
'My Best Story and Why I Think So' (1906) | p. 285 |
'Les Sept Innocents de Pleumeur' by Charles Le Goffic | p. 286 |
Borrowings and Echoes from Maupassant's Bel-Ami in 'The Return' | p. 288 |
Explanatory Notes | p. 291 |
Maps | p. 313 |
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