Antoni Tapies : in perspective | p. 6 |
Tapies, wall, time and body | p. 101 |
A new context for the "matter paintings" of Antoni Tapies | p. 263 |
Deliquescent bodies with eyelids : conjuring everyday life in the 1980s | p. 291 |
Texts by Antoni Tapies | |
Vocation and love (fragment) | p. 10 |
Catalan roots. Psychoanalysis and Marxism (fragment) | p. 19 |
Vocation and love (fragment) | p. 30 |
Paris. Teresa. The desert (fragment) | p. 52 |
Catalan roots. Psychoanalysis and Marxism (fragment) | p. 57 |
The orient and the practice of walking (fragment) | p. 86 |
Vocation and love (fragment) | p. 133 |
Communication on the wall | p. 75 |
Vocation and form | p. 143 |
Nothing is too petty | p. 185 |
Avant-garde art and the Catalan spirit | p. 217 |
Modern art, mysticism and humour (fragment | p. 249 |
Painting and the void | p. 324 |
Selection of fragments of other authors | |
Man and the sacred | p. 14 |
Van Gogh, the man suicided by society | p. 37 |
Eulogy of deformation | p. 43 |
Magicism and abstraction | p. 46 |
Antoni Tapies | p. 64 |
Painting's signification in Tapies' work | p. 90 |
Materialism | p. 95 |
The pleasures of the door | p. 120 |
Antoni Tapies | p. 125 |
Mimetism and legendary psychasthenia | p. 157 |
The primacy of perception | p. 161 |
Water and dreams. An essay on the imagination of matter | p. 175 |
Tapies. The contemplation of art | p. 199 |
The oldest man in the village | p. 231 |
The transition as spectacle | p. 339 |
Round table | |
A collective head. A conversation on the reception of the work of Antoni Tapies | p. 351 |
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