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9781563087271

Teaching TV Production in a Digital World: Integrating Media Literacy

by
  • ISBN13:

    9781563087271

  • ISBN10:

    1563087278

  • Format: Paperback
  • Copyright: 2001-10-01
  • Publisher: Libraries Unlimited

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Summary

Here's an exciting, alternative approach to teaching first-year television production to high school students. A combination of class instruction and independent video action projects prepares students for a year-end video competition. The projects are based on the concept of thematic mapping and borrow knowledge from other academic subject areas to teach media and visual literacy, broadcast history, video production skills, and multimedia animation.

Author Biography

ROBERT KENNY heads the Media, Technology, and Engineering Department at Olympia High School, Orlando, Florida.

Table of Contents

Acknowledgments xi
Introduction xiii
Class Administration
1(30)
Getting the Most Out of the Course
1(2)
The Purpose of This Chapter
3(1)
Integrating Web-Assistant into the Lessons and Activities
3(2)
The Lesson Sequence
5(1)
Teaching Chronology
6(9)
The First Few Days
15(1)
Short-Term Goals for the First Two Weeks of Class
15(6)
Assess Existing Knowledge
15(3)
Build Consensus Toward a Class Code of Ethics
18(1)
Introduce the Technology of Television
18(1)
Students Should Establish Their Own Personal Relationships with the Media
18(1)
Assign the First Visual Story
19(1)
Introduce How the Internet Is Integrated into the Course
19(1)
Set Ground Rules for Equipment Use
20(1)
Introduce Ground Rules for Cooperative Learning Activities
21(1)
How to Use the Student Workbook in Class
21(1)
The Project Sequence
22(1)
Television Commercials and Music Videos As Models
23(1)
Course Content and Grading
23(3)
Tests and Quizzes
26(2)
Building a Test Blueprint
27(1)
Portfolio Assessment
28(1)
Equipment Competencies
28(1)
Participation and Work Ethic
29(1)
Resources
30(1)
Developing a Literacy for Television and the Media
31(48)
Introduction and Lesson Goals
31(1)
The Impact of Technology on Television
32(3)
Toward an Acquisition Model
35(1)
Toward a Horizontally Integrated Media Curriculum
36(1)
Summary
37(1)
Digging Deeper
37(1)
Sequencing the Lessons in This Chapter
38(40)
Lesson 2.1
39(2)
Lesson 2.1A The Media Paradigm
41(5)
Lesson 2.1B The Makings of a Newscast
46(1)
Lesson 2.2 Rights and Responsibilities Web-Quest
47(4)
Lesson 2.3 Broadcast Code of Ethics
51(5)
Optional Activity
56(1)
Lesson 2.4
57(3)
Lesson 2.4A Video: Blocking, Sampling, and Poll Taking
60(2)
Lesson 2.4B Ratings and Rankings Web-Quest
62(1)
Lesson 2.5
63(2)
Lesson 2.5A Deconstructing Commercials
65(4)
Lesson 2.5B Review
69(3)
Lesson 2.5C Technology's Effect on the Media
72(2)
Lesson 2.6 War of the Worlds
74(2)
Portfolio Project #7 PSA or Commercial
76(2)
Resources
78(1)
Equipment Basics
79(46)
Introduction and Lesson Goals
79(1)
Problem-Based Learning
79(1)
Goals of Equipment Training
80(1)
Using This Book in Conjunction with Equipment Manuals
81(1)
Digging Deeper
82(1)
Sequencing the Lessons in This Chapter
82(41)
Lesson 3.1
83(2)
Lesson 3.1A Basic Care of Equipment
85(1)
Lesson 3.1B Basic Video Concepts
86(4)
Lesson 3.2
90(2)
Lesson 3.2A How Television Works
92(4)
Lesson 3.2B How Videotape Works
96(3)
Lesson 3.3
99(1)
Lesson 3.3A Audio Considerations
100(2)
Lesson 3.3B Cables and Connectors
102(2)
Review Activity
104(1)
Lesson 3.4
105(1)
Lesson 3.4A Framing and Focusing a Picture
106(3)
Lesson 3.4B Vectoring and the Z-Axis
109(2)
Lesson 3.4C Basic Camera Moves
111(1)
Optional Activity
112(1)
Lesson 3.5 Editing
113(4)
Review Activity
117(1)
Optional Activity
118(3)
Portfolio Project #1 Still Shots
121(2)
Resources
123(2)
Writing for a Visual Medium
125(34)
Introduction and Lesson Goals
125(1)
Digging Deeper
126(1)
Sequencing the Lessons in This Chapter
126(31)
Lesson 4.1 Storyboards
126(6)
Optional Lesson
132(6)
Lesson 4.2 Active Versus Passive Voice in News Scripts
138(4)
Lesson 4.3 Get the Lead Right
142(2)
Lesson 4.4 The Good Newswriter's Dazzling Dozen
144(2)
Lesson 4.5 How to Write for an Interview
146(2)
Lesson 4.6 Video Devices to Supplement a Teleplay or Newscast
148(2)
Optional Activity
150(3)
Portfolio Project #2 Stop Action
153(2)
Portfolio Project #3 Weather Report
155(1)
Portfolio Project #4 Instructional Video
156(1)
Resources
157(2)
Developing an Acuity for a Visual Medium
159(32)
Introduction and Lesson Goals
159(1)
Toward Audience Analysis
160(1)
Toward Visual Awareness
161(1)
Students Using Their Knowledge
161(1)
Summary
162(1)
Digging Deeper
162(1)
Sequencing the Lessons in This Chapter
162(27)
Lesson 5.1 The Making of Citizen Kane
163(2)
Lesson 5.2
165(2)
Lesson 5.2A Body Language
167(3)
Lesson 5.2B Using Body Language on Camera
170(2)
Lesson 5.2C How to Conduct an Interview
172(1)
Lesson 5.3 Principles of Visual Design
173(8)
Lesson 5.4 Learning How to Learn
181(2)
Learning Styles Web-Quest
183(3)
On-Camera Activities: News Readings
186(2)
Portfolio Project #5 Interview for a News Magazine
188(1)
Resources
189(2)
The Birth of Radio and Television: A Condensed History of Broadcasting
191(48)
Introduction and Lesson Goals
191(3)
Digging Deeper
194(1)
Sequencing the Lessons in This Chapter
194(44)
Lesson 6.1 The Pre-Marconi Era: 1870-1900
195(3)
Lesson 6.2 Everyone Gets into the Act: 1900-1919
198(4)
Lesson 6.3 The Birth of Broadcasting: 1920-1940
202(2)
Lesson 6.4 Babes in Broadcastland: 1920-1930
204(3)
Lesson 6.5 Making Order Out of Chaos: 1927-1934
207(3)
Lesson 6.6 Going for Broke: 1935-1945
210(4)
Lesson 6.7
214(1)
Lesson 6.7A The Birth of Television: 1945-1975
215(2)
Lesson 6.7B Go West, Young Man
217(2)
Lesson 6.7C Quiz Show
219(1)
Lesson 6.7D Beyond Prime Time
220(2)
Lesson 6.8 The Last Great Ride: 1975-1985
222(2)
Optional Lesson
224(4)
Lesson 6.9 The Birth of Tabloid Television: 1986-1999
228(6)
Optional Discussions
234(2)
Portfolio Projects #5 and #6 Interview and Decades
236(2)
Resources
238(1)
The Production Process
239(38)
Introduction and Lesson Goals
239(1)
Sweeps: A Different Approach
240(1)
How Production Is Taught in Light of the ``Teaching Chronology''
241(1)
Digging Deeper
242(1)
Sequencing the Lessons in This Chapter
242(34)
Lesson 7.1 The ASSURE Planning Model
242(4)
Lesson 7.2 Implementing the Project Plan
246(3)
Lesson 7.3 Production Scheduling
249(4)
Lesson 7.4 Production Crew Responsibilities
253(3)
Lesson 7.5 Capturing Footage: Simple ENG Assignments
256(3)
Lesson 7.6 In-Studio Etiquette
259(2)
Lesson 7.7
261(1)
Lesson 7.7A Post-Production
262(5)
Lesson 7.7B Adding Sound in Post-Production
267(1)
Lesson 7.8 Putting It Together: The Segment Checklist
268(5)
Portfolio Project #8 Sweeps
273(3)
Resources
276(1)
Appendix A: List of Terms and Corresponding Lessons 277(12)
Appendix B: Daily Activity Sheet 289(2)
Appendix C: Equipment Competency Checklist 291(2)
Appendix D: ENG/Segment Footage Log 293(2)
Appendix E: Interview Worksheet 295(2)
Appendix F: Project and Activity Planning Sheet 297(2696)
Appendix G: Segment Checklist/Scorecards 2993
Appendix H: Portfolio Assessment Scorecards 303(8)
Appendix I: Storyboard Worksheet 311(2)
Appendix J: Mediated Resources Used in This Course 313(6)
References 319(4)
Index 323

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

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