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Introduction: The Progress of Pleasure | p. 1 |
Times Upon the Mind | p. 5 |
The Two Presents | p. 21 |
The Composite Fantasy | p. 27 |
Taste against Taste in Pope's Epistle to Burlington | p. 40 |
The Britishness of the Present at Stowe | p. 64 |
An Half-Formed Smile | p. 67 |
Taste Supreme, Taste Corrupt | p. 79 |
Immediate Termination | p. 85 |
'Almost Inseparable': Taste and History in Hume | p. 96 |
Appearance as Experience: Three Women's Texts about Taste of the 1770s | p. 124 |
Before It Has Time to Shield Itself | p. 128 |
Most Becoming Greater Attention | p. 134 |
To Appear Inattentive | p. 142 |
The Power of Pure Contingency: Fashion in Smith and the Reynoldses | p. 151 |
A Haunch Button | p. 156 |
Voluntarily Added Approbation v | p. 166 |
The Last Stage of Depravity | p. 172 |
The Hell of Ownership: Beckford on Collecting | p. 178 |
Epilogue: Taste and the New Formalism | p. 204 |
Works Cited | p. 212 |
Before 1825 | p. 212 |
After 1825 | p. 218 |
Index | p. 229 |
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