Terrence McNally

by Silverman Zinman,Toby

• ISBN13: 9780815321002
• ISBN10: 0815321007
• Format: Hardcover
• Copyright: 1997-01-01
• Publisher: Routledge

Summary

This collection of essays and interviews is the first book about the drama of American playwright Terrence McNally; it examines his career to date (30-plus years), focusing particularly on the two plays for which McNally won Tony Awards for Best Play of 1995,Love!Valour! Compassion!,and Best Play of 1996,Master Class. Toby Zinman, a distinguished scholar and critic, has invited none respected authorities to write about McNally's work, and has included records of the long conversations she had with the playwright about his work, his love of opera, his ideas about acting and education, and life in general. Also included are two interviews she conducted with two of his leading actors: one with the legendary Zoe Caldwell, who played the even more legendary Maria Callas inMaster Class,a performance that earned her the Tony Award for Best Actress in 1996, a role McNally wrote for her, and another with the great American comic actor, Nathan Lane, whom McNally considers hisforemost interpreter. The collection moves chronologically, beginning with Howard Stein's essay on the promise of the plays of the first decade, through to Cary Mazer's essay on the diva inMaster Class, a play about Maria Callas' master classes at Juilliard; that essay is preceded by an essay on those famous master classes by John Ardoin, the world's foremost authority on Maria Callas. In between there are two essays debating McNally's position as a gay playwright, one by John Clum and one by Steven Drukman, both centering on the firestorm of controversy generated byLove! Valour! Compassion!In addition, there is an essay onThe Lisbon Traviataby Sam Abel which discusses the play's much-revised conclusion (to murder or not to murder) and another on McNally's screenplays ofFrankie and Johnny in the Clair de Lune,andThe Ritz,by Helen Buttel, a film critic. This is followed by Stephen Watt's examination of McNally as a postmodernist, usingLips Together,TeethApartas his focus, and Benilde Montgomery's essay on Indian myth as it informs McNally's play (soon to be a film)A Perfect Ganesh The volume also includes in its introduction the latest information on McNally's newest projects, an extensive bibliography, and a chronology of the playwright's career.

Table of Contents

General Editor's Note
Introduction
Chronology
Interview with Terrence McNally	p. 3
The Early Plays of Terrence McNally	p. 17
Uneasy Transitions: Reassessing The Lisbon Traviata and Its Critics	p. 37
Lips Together, Teeth Apart: Bodies in Search of a Dramatic Form	p. 55
McNally's Films of His Broadway Plays	p. 71
Interview with Nathan Lane	p. 89
Where We Are Now: Love! Valour! Compassion! and Contemporary Gay Drama	p. 95
You Got to Have Friends: Gay Reception of Love! Valour! Compassion!	p. 117
A Perfect Ganesh: McNally's Carnival in India	p. 135
Terrence McNally on Master Class	p. 147
Interview with Zoe Caldwell	p. 151
Callas and the Juilliard Master Classes	p. 157
Master Class and the Paradox of the Diva	p. 165
Selected Bibliography	p. 181
Contributors	p. 185
Index	p. 189
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