Each chapter concludes with "Works Cited" and "Recommended Further Reading" sections | |
Preface | |
An Introduction, Theoretically | |
Textual Tours | |
Checking Some Baggage | |
Anything to Declare | |
Critical Visions: A Selective Tour | |
New Criticism | |
From Here at The New Yorker, Brendan Gill | |
Reader-Response Criticism | |
Deconstructive Criticism | |
Historical, Postcolonial, and Cultural Studies | |
Psychological Criticism | |
Feminist Criticism | |
Other Approaches | |
Unifying the Work: New Criticism | |
The Purpose of New Criticism | |
Basic Principles Reflected | |
Ars Poetica, Archibald MacLeish | |
Radicals in Tweed Jackets | |
How to Do New Criticism | |
The Writing Process: A Sample Essay | |
The Mother, Gwendolyn Brooks | |
Preparing to Write | |
Shaping | |
Drafting | |
Practicing New Criticism | |
Forgiving my Father, Lucille Clifton | |
Questions | |
My Father's Martial Art, Stephen Shu-ning Liu | |
Questions | |
Creating the Text: Reader-Response Criticism | |
The Purpose of Reader-Response Criticism | |
New Criticism as the Old Criticism | |
The Reader Emerges | |
Hypertextual Readers | |
How to Do Reader-Response Criticism | |
Preparing to Respond | |
Love Poem #1, Sandra Cisneros | |
Making Sense | |
Subjective Response | |
Receptive Response | |
The Writing Process: A Sample Essay | |
Preparing to Respond | |
A Very Short Story, Ernest Hemmingway | |
Preparing to Write | |
Shaping | |
Drafting | |
Practicing Reader-Response Criticism | |
Since There's No Help, Michael Drayton | |
Questions | |
Killing the Be | |
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