What is included with this book?
Acknowledgments | |
Prologue | |
Introduction: Rewriting Early Chinese Zaju Song-Drama for Transnational, National, and Local Contexts | p. 1 |
Art Song Anthologies, Editorial Attributions, and the Cult of Affect: Guan Hanqing (ca. 1220 - ca. 1300) and the Transformation of Attestory Authorship | p. 45 |
Early Song-Drama Collections, Examination Requirements, and the Exigencies of Desire: Li Kaixian (1502-68), Zang Maoxun (1550-1620), and the Uses of Reproductive Authorship | p. 83 |
Xixiang ji Editions, the Bookmarket, and the Discourse on Obscenity: Wang Jide (d. 1623), Jin Shengtan (1608-61), and the Creation of Uncommon Readers | p. 123 |
Conclusion: Thinking Through Authors, Readers, and Desire | p. 163 |
Notes | p. 179 |
Bibliography | p. 223 |
Glossary | p. 245 |
Index | p. 253 |
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