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Introduction | |
Printing the drama | |
Experimenting on the page, 1480-1630 | |
Drama as institution, 1630-1760 | |
Illustrations, promptbooks, stage texts, 1760-1880 | |
Theatre imprimatur | |
Reinventing `theatre' via the printing press | |
Critical law, theatrical licence | |
Accurate texts, authoritative editions | |
The senses of media | |
The sense of the senses: sounds, gesture and the body on stage | |
Narrative form and theatrical illusions | |
Framing space: time, perspective, and motion in the image | |
The commerce of letters | |
Dramatists, poets, and other scribblers | |
Who owns the play? Pirate, plagiarist, imitator, thief | |
Making it public | |
Theatrical impressions | |
Scenic pictures | |
Actor/author | |
A theatre too much with us | |
Epilogue | |
Notes | |
Works Cited | |
Index | |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.