Top
| Theatre and Its Audience | |
| Cultural Collaboration: Theatre and Society | |
| Theatre as Entertainment and Art | |
| Exploring Cultural and Historical Perspectives: The Lure of Safe Conduct and Invisible Rabbits | |
| The Social Functions of Theatre | |
| Exploring Historical and Cultural Perspectives: Theatre of War | |
| Exploring Artists of the Theatre: National Theatre of the Deaf | |
| Social Control of Theatre | |
| Exploring Collaboration: Citizen Play Juries | |
| Theatrical Choice in North America | |
| Cultural Context and Personal Experience | |
| Experiencing Theatre: Collaboration of Actor, Audience, and Space | |
| The Audience | |
| Exploring Collaboration: Spatial Collaboration: Commune and Pinocchio | |
| Exploring Historical and Cultural Perspectives: Brecht versus Wagner | |
| The Nature of Acting | |
| Exploring Historical and Cultural Perspectives: Hypokrites to Actor | |
| Exploring Historical and Cultural Perspectives: Makeup as Mask: Kathakali | |
| From Play to Production | |
| Space | |
| Exploring Historical and Cultural Perspectives: Drottningholm Court Theatre | |
| Exploring Historical and Cultural Perspectives: Stratford Festival Theatre | |
| Exploring Historical and Cultural Perspectives:The Performing Garage | |
| Theatre and Transformation | |
| Analyzing Theatre: Thinking and Writing about Live Performance | |
| Theatre, Film, and Television | |
| Analyzing Production | |
| Thinking about Actor Performances | |
| Thinking about Space and Design | |
| Exploring Historical and Cultural Perspectives:The Effect of Audience Space on Angels in America | |
| Understanding Style | |
| Evaluating Production | |
| The Role of the Critic | |
| Writing about Production | |
| Exploring Historical and Cultural Perspectives: Theatre or Theater? | |
| It Is More Than a Building | |
| When It All Works | |
| Understanding the Play: A Theatrical Blueprint Plot | |
| Exploring Historical and Cultural Perspectives: Deus ex Machina | |
| Character | |
| Thought | |
| Language | |
| Exploring Collaboration: Improvised Text | |
| Music | |
| Spectacle | |
| Interpreting the Play: Understanding Genre, Reading, and Writing | |
| Dramatic Genre | |
| Reading a Play | |
| Exploring Historical and Cultural Perspectives:Exit, Pursued by a Bea;: Those Problematic Stage Directions | |
| Writing about a Play | |
| Exploring Historical and Cultural Perspectives: Juliet Was a Guy in Drag? Changing Theatrical Conventions | |
| Photo Gallery: Theatrical Diversity | |
| Collaboration In Art And Practice | |
| The Director: Vision and Leadership | |
| Has Someone Always Been in Charge? | |
| Interpretation | |
| Developing Concept | |
| Artists of the Theatre: Peter Brook | |
| Communicating and Managing the Artistic Vision | |
| Collaborating with the Playwright | |
| Exploring Historical and Cultural Perspectives: Who Owns the Work | |
| Directors and Absent Playwrights | |
| Collaborating with Designers | |
| Collaborating with Actors | |
| Exploring Collaboration: Metamorphoses | |
| Artists of the Theatre: George C. Wolfe | |
| Collaborating with the Stage Manager | |
| The Rehearsal Process | |
| Opening the Production | |
| The Actor: From Mask to Contemporary Performance | |
| Development of the Actor | |
| Artists of the Theatre: Bernadette Peters | |
| Exploring Historical and Cultural Perspectives: Contemporary Cross-Dressing | |
| Acting Styles and Methods | |
| Artists of the Theatre: James Earl Jones | |
| The Actor's Work | |
| Exploring Collaboration: Actors as Collaborators | |
| The Playwright: Imagination and Expression | |
| The Changing Position of the Playwright | |
| Artists of the Theatre: Suzan-Lori Parks | |
| The Playwright and Production | |
| Exploring Collaboration: The Sondheim/Lapine Collaboration | |
| Artists of the Theatre: Michael Frayn | |
| Development of New Plays | |
| Exploring Historical and Cultural Perspectives:The Humana Festival of New American Plays, Actors Theatre of Louisville | |
| Exploring Collaboration: The Rent Controversy | |
| The Designer: Materializing Conception and the World of the Play | |
| The Development of the Designer | |
| Exploring Historical and Cultural Perspectives:Development of the Revolve | |
| The Designers' | |
| Choices | |
| Artists of the Theatre: Ming Cho Lee | |
| The Scenic Designer's Work | |
| Exploring Collaboration: Robert Edmund Jones with Arthur Hopkins | |
| The Lighting Designer's Work | |
| Artists of the Theatre: Jules Fisher and Peggy Eisenhauer | |
| The Costumer Designer's Work | |
| Artists of the Theatre: William Ivey Long | |
| The Sound Designer's Work | |
| Integrating All the Designs | |
| The Producer: Coordination, Promotion, Economics | |
| Early Producers | |
| The Role of the Producer | |
| Artists of the Theatre: Harold Prince | |
| The Economics of Theatre | |
| Exploring Historical and Cultural Perspectives: Stagehands Union 2007 Strike | |
| Exploring Historical and Cultural Perspectives:The Federal Theatre Project | |
| Photo Gallery: Interpreting Space and Design | |
| Collaboration In History | |
| Foundations: Classical Theatrical Forms | |
| Classical Greece | |
| Exploring Historical and Cultural Perspectives:Rediscovering Menander | |
| Classical Rome | |
| Medieval Europe | |
| Exploring Collaboration: The Community, the Church, and the Feast of Corpus Christi | |
| Classical India | |
| Classical China | |
| Classical Japan | |
| Exploring Historical and Cultural Perspectives:Kabuki Cross-Dressing: The Onnagata | |
| Reinterpretations: Europe Rediscovers the Western Classics | |
| The Italian Renaissance | |
| Exploring Historical and Cultural Perspectives:Renaissance Court Entertainment | |
| Elizabethan England | |
| Exploring Historical and Cultural Perspectives:The Rediscovery of the Rose and Globe Theatres | |
| The Spanish Golden Age | |
| Seventeenth-Century France | |
| Restoration England | |
| Eighteenth-Century Europe and the Americas | |
| Exploring Collaboration: The Hallam Company in the American Colonies: A Family Affair | |
| Revolutions: Romanticism to Postmodern Experiment | |
| Romanticism | |
| Exploring Historical and Cultural Perspectives:The Audience Has Its Say: Theatre Riots and Demonstrations | |
| Nineteenth-Century Melodrama | |
| Exploring Historical and Cultural Perspectives:Nineteenth-Century Women Theatre Managers in Britain and the United States | |
| Nineteenth-Century Realism and Naturalism | |
| The Avant-Garde from the Late Nineteenth Century to the 1960s | |
| Exploring Collaboration: Founding an Alternative Theatre: The Provincetown Players | |
| Modern and Contemporary Popular Theatre | |
| The Recent Avant-Garde and Postmodern Experiment | |
| Key Theatrical Events | |
| Glossary | |
| Notes | |
| Bibliography | |
| Index | |
| Table of Contents provided by Publisher. All Rights Reserved. |
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