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9780714843728

The Theatre of the Face Portrait Photography Since 1900

by
  • ISBN13:

    9780714843728

  • ISBN10:

    0714843725

  • Format: Hardcover
  • Copyright: 2007-10-31
  • Publisher: Phaidon Press
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Supplemental Materials

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Summary

THE THEATRE OF THE FACE is an engaging and authoritative account of the history of portrait photography by one of the world's leading photography critics.It is an essential title for all photography students and enthusiasts, and for anyone interested in portraiture, one of the most popular and enduring of all photographic genres.The book covers many styles and movements, including works by pioneers such as Edward Sheriff Curtis; seminal figures such as Walker Evans, Cecil Beaton, and August Sander; and artists such as Martin Parr, Cindy Sherman, and Philip Lorca diCorcia.With over three hundred black white and color photographs, THE THEATRE OF THE FACE offers a new perspective on the history of photography by examining the personalities both behind and in front of the camera.

Author Biography

Max Kozloff is one of the leading photography critics working today, and the recipient of numerous prizes and fellowships. Formerly the editor of Art Forum, he is a prolific writer whose contribution includes the first monograph on Jasper Johns, a book of collected essays entitled, Photography and Fascination (1978), two further books of essays on the medium, a study of Duane Michals and a history of New York street photography that accompanied a travelling museum show, which he curated in 2002. Kozloff has also taught on numerous photography courses and is a noted photographer himself, having exhibited in the United States, Mexico and India. His passion for portraiture stems from his own visual practice and informs his belief that this genre is photography’s central project.

Table of Contents

Introductionp. 6
Retrospection and Clairvoyance: Portraits of the Early Twentieth Centuryp. 12
Introversions of the Self: The Author in the Portrait 1900-1935p. 74
Shades of Valour: Portraiture and the Making of History 1930-1945p. 100
The Sander Effect: Portraiture and the Exposure of the Masqueradep. 166
Insiders and their Cultures: Portraits of Difference 1970-2000p. 200
From Celebrities to Nonentities: Portraiture, Beauty and Death 1980 to the Presentp. 270
Notesp. 318
Bibliographyp. 324
Indexp. 327
Table of Contents provided by Blackwell. All Rights Reserved.

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