List of Illustrations | p. ix |
Author's Preface | p. xi |
Series Preface | p. xiii |
Acknowledgements | p. xiv |
Introduction | p. 1 |
Self-evident: intimacy and engagement | p. 1 |
The human laboratory: parable of a recent past | p. 2 |
Nature, theatre politics: the present project | p. 5 |
A second naivete: the future constitution | p. 14 |
On The Social Life of Theatre: Towards a Science of Appearance | |
Introduction | p. 15 |
The Ends of Politics | p. 25 |
A Singular Art | p. 30 |
The Social Conditional | p. 40 |
Begin Again | p. 44 |
Sufficient Goods | p. 46 |
The Present Imperfect | p. 53 |
Discipline in Distress | p. 58 |
A Life in Theatre | p. 68 |
Theatre Returns | p. 70 |
On Performance as Such & On Human Performance in Particular | |
The Anthropological Machine | p. 81 |
Nature Table | p. 102 |
Play ground | p. 105 |
Swimming pool | p. 111 |
Class room | p. 113 |
Stage Play | p. 120 |
Acknowledging | p. 123 |
The imperative of performance | p. 124 |
In the infancy of theatre | p. 126 |
Ring-Side | p. 132 |
Redeemed Night | p. 145 |
Fear | p. 146 |
Fauna | p. 149 |
Fur | p. 152 |
Infant Enthusiasm | p. 157 |
Infant | p. 158 |
Infant animal | p. 161 |
Interval | p. 164 |
Infant, animal, automata | p. 165 |
Infant 'inhuman' Auschwitz | p. 171 |
On The Part of Those Who Have No Part | |
The Distribution of the Sensible | p. 175 |
Recalling the Collective | p. 187 |
Forensic Display | p. 207 |
Arrested Life | p. 218 |
The Democracy Machine | p. 229 |
Memoir: Civil Service | p. 231 |
Memorial: Military Service | p. 238 |
Memory: Secret Service | p. 244 |
In the Event of Extinction: Natural History & Its Ends | |
Introduction | p. 249 |
Destination Nature | p. 252 |
Natural History | p. 263 |
In the Event of Extinction | p. 268 |
The Last Human Venue | p. 271 |
The Franciscan Model | p. 274 |
Postscript | p. 277 |
The paradox of the actor | p. 277 |
The parallax of the performer | p. 278 |
The Lazarus affect | p. 279 |
Notes | p. 280 |
Select Bibliography | p. 299 |
Index | p. 308 |
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