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9780812975727

There's a (Slight) Chance I Might Be Going to Hell A Novel of Sewer Pipes, Pageant Queens, and Big Trouble

by
  • ISBN13:

    9780812975727

  • ISBN10:

    0812975723

  • Format: Paperback
  • Copyright: 2007-05-29
  • Publisher: Villard

Note: Supplemental materials are not guaranteed with Rental or Used book purchases.

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Summary

The first novel from the New York Times bestselling author of The Idiot Girls' Action-Adventure Club is a rollicking tale of small-town peculiarity, dark secrets, and one extraordinary beauty pageant. When her husband is offered a post at a small university, Maye is only too happy to pack up and leave the relentless Phoenix heat for the lush green quietude of Spaulding, Washington. While she loves the odd little town, there is one thing she didn't anticipate: just how heartbreaking it would be leaving her friends behind. And when you're a childless thirtysomething freelance writer who works at home, making new friends can be quite a challenge. After a series of false starts nearly gets her exiled from town, Maye decides that her last chance to connect with her new neighbors is to enter the annual Sewer Pipe Queen Pageant, a kooky but dead-serious local tradition open to contestants of all ages and genders. Aided by a deranged former pageant queen with one eyebrow, Maye doesn't just make a splash, she uncovers a sinister mystery that has haunted the town for decades. "[Laurie Notaro] may be the funniest writer in this solar system." The Miami Herald From the Trade Paperback edition.

Author Biography

Laurie Notaro has been fired from seven jobs, laid off from three, and voluntarily liberated from one. Despite all that, she has managed to write a number of New York Times bestselling essay collections. She lives with her husband in Oregon, where—according to her mother, who refuses to visit—she sleeps in a trailer in the woods.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

Prologue
SPRING, 1956
The moment the girl stepped onto the stage, the circle of a
spotlight swung toward her, announcing her presence
above the audience in a sheer, clean illumination. The crowd before
her suddenly quieted, as if expecting something truly spectacular
to occur. It would have to be spectacular; after all, Mary
Lou Winton, the contestant before her, had let loose a greased
baby pig onstage, which she managed to lasso, hog-tie, and
brand—with a branding iron fashioned to look like a sewer pipe,
no less—in a definitive nine seconds flat. It was, in fact, confirmed
by the audience, who counted down as Mary Lou whipped
that rope and then stomped over to plunge the glowing iron. And
it was further rumored that Ruth Watson was planning to bring
her rifle out onto the stage and shoot every winged fowl right out
of the sky, all in her evening gown attire, for her talent segment.
Farm antics, the girl scoffed to herself, wondering if such a
thing really could be considered as a talent or just an episode of
unfortunate breeding. She knew she could not let any of that
concern her as she looked out over the crowd, searching the
faces. She knew almost everyone—everyone who was waiting to
hear her sing.
She smiled softly, an expression that seemed gentle.
If only I had ruby slippers, she thought to herself. The light
that would have caught them would have been astounding, the
sparkle would have bounced off of them like rockets, far more
impressive than an oily piglet or dead birds. She looked down at
her feet, at her pair of last year’s Sunday shoes—now buffed a
bright cherry red by her father, who had been so proud when he
surprised her with them—and saw that they did not sparkle, but
produced a dull, minuscule shine.
Behind her, she heard Mrs. A. Melrose from the church choir
begin playing the piano; this was her cue, and the pianist had
better keep time. Although she considered herself a devoted
Christian woman overflowing with generosity, Mrs. Melrose
thought little of donating her time to the endeavor and suggested
that instead she exchange her musical services for the girl’s scrubbing
a week’s worth of the accompanist’s and her flatulent husband’s
laundry. Despite the gruesome task that lay ahead in the
Melroses’ wash bin the next day, the girl continued to smile as she
drew a deep, full breath, so full that the replica blue gingham
pinafore fashioned from a picnic tablecloth seemed to expand
slightly, making the ketchup stains that stubbornly remained on
the cloth look like she had encountered Ruth Watson’s rifle. She
waited: one, two, three.
The next note was hers. She was ready.
“Somewheeeeere over the rainbow . . .”
Her voice glided sweetly over the stage into the audience and
twirled in the air above them like magic. She could see it on the
faces of the people watching her, listening to her, heads tilted
slightly to the side, as they smiled back at her. This was no pig
roping event, and no explosion of feathers was going to trickle
down from the clouds.
This was talent.
I have it, she thought giddily to herself as she finished the first
verse, as her voice continued on clear, strong, and with the right
touch of delicacy. It is mine.
She saw him, standing in the back, far beyond the crowd assembled
in the square—the most handsome man she had ever
seen in real life, the one who could save her. With a bouquet
spilling with flowers in the crook of his arm, he leaned up against
his brand-new powder-blue Packard Caribbean convertible with
its whitewall tires and gleaming, curvaceous chrome bumpers. It
was a glorious machine. It suited him. Cars like that were rare in
this town, and so were the men they suited. She saw him smiling
at her, and to her he delivered a nod of encouragement.
She felt herself blush a shade. The surge of delight was just the
push she needed to soar into the last verse and deliver with
earnest, heartfelt yearning, “Why, oh, why can’t I?”
The moment the last note evaporated into the air, the crowd
burst forth with a shower of applause, the hands of the audience
clapping heartily, and as she looked toward the back of the
crowd, she saw that he was clapping, too, his arms full of tulips,
roses, and lilies. Clapping for her.
Excitement raced up her spine like a block shooting up to hit
the bell on a Hi Striker carnival game.
It was hers, she had done it, she knew it, she owned it. She
could actually feel the weight of the crown being placed on her
head, she could foresee the way that it would sparkle. She wanted
it to sparkle brightly, feverishly, ferociously. Sparkle so bright it
would blind them. Show this town that she was the queen of this
scrap heap, this tiny little town with nothing in it but sewer pipes
and waste. From this moment, it was all hers, all of it. If she wanted ruby slippers, she would get ruby slippers, not last year’s fake, cheap Sunday shoes painted red with a dirty rag. She was
more than that.
It was hers, the crown, the town—she had won and she would
take it. She knew it like she had never known anything else. As if
there was any other choice! The pig tosser, the bird slayer? This
was now her town, her kingdom.
To reign as she saw fit.
She smiled sweetly again, then closed her eyes slowly, laid her
arm over her chest, holding her hand to her heart the way she
had seen it done in the movies, and crossed one leg deeply behind
the other in what could only be described as a true queenly
and magnificent gesture.
And with that, she took a bow.

Excerpted from There's a Slight Chance I Might Be Going to Hell: A Novel of Sewer Pipes, Pageant Queens, and Big Trouble by Laurie Notaro
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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