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Thomas E. Wartenberg is Chair of the Philosophy Department at Mount Holyoke College, where he also teaches in the Film Studies Program. He is the author of Unlikely Couples: Movie Romance as Social Criticism (Westview Press, 1999) and The Forms of Power: From Domination to Transformation (Temple University Press, 1990), the editor of The Nature of Art (Wadsworth Publishing, 2001), and the co-editor of Philosophy and Film (Routledge, 1995)and The Philosophy of Film: Introductory Text and Readings (Blackwell, 2005).
Preface | |
Introduction | p. 1 |
The Very Idea of Film as Philosophy | |
Theses on Cinema as Philosophy | p. 11 |
Beyond Mere Illustration: How Films Can Be Philosophy | p. 19 |
Film Art, Argument, and Ambiguity | p. 33 |
Popular American Film: Entertainment and Enlightenment | |
Hitchcock and Cavell | p. 43 |
The Paradox of the Unknown Lover: A Reading of Letter from an Unknown Woman | p. 55 |
Spike Lee and the Sympathetic Racist | p. 67 |
Transparency and Twist in Narrative Fiction Film | p. 81 |
The Impersonation of Personality: Film as Philosophy in Mission: Impossible | p. 97 |
On Being Philosophical and Being John Malkovich | p. 111 |
Eternal Sunshine of the Spotless Mind and the Morality of Memory | p. 119 |
Continental Philosophy, Continental Film | |
Sartre, the Philosophy of Nothingness, and the Modern Melodrama | p. 135 |
Cinema and Subjectivity in Krzysztof Kieslowski | p. 147 |
Is Sex Comedy or Tragedy? Directing Desire and Female Auteurship in the Cinema of Catherine Breillat | p. 157 |
Film as "Theory": The Avant-Garde | |
Apperception on Display: Structural Films and Philosophy | p. 165 |
Philosophizing Through the Moving Image: The Case of Serene Velocity | p. 173 |
The Substance of Cinema | p. 187 |
The World Rewound: Peter Forgacs's Wittgenstein Tractatus | p. 199 |
Contributors | p. 213 |
Selected Bibliography | p. 217 |
Index | p. 221 |
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