Acknowledgements | |
List of abbreviations | |
Chronology | |
Introduction | p. 1 |
Hardy's 'second' career | p. 1 |
Turning to poetry | p. 1 |
Poetry as posthumous vision | p. 4 |
Necessity and free will | p. 7 |
Typology and the pattern of a life | p. 10 |
Sequences and patterns | p. 14 |
God and history | p. 16 |
Hardy and the dead | p. 19 |
The 'Poems of 1912-13' | p. 22 |
Restoration and the past | p. 26 |
Wessex | p. 28 |
Hardy's style | p. 30 |
The Gothic art-principle | p. 31 |
Words | p. 32 |
Prosody | p. 35 |
Hardy and literary tradition | p. 40 |
Selecting Hardy | p. 42 |
A note on the annotations | p. 44 |
A Note on the Text | p. 45 |
The Poems | p. 47 |
From Wessex Poems and Other Verses (1898) | p. 49 |
The Temporary the All | p. 50 |
Hap | p. 52 |
Neutral Tones | p. 53 |
The Peasant's Confession | p. 55 |
A Sign-Seeker | p. 60 |
Friends Beyond | p. 63 |
Thoughts of Phena | p. 65 |
Nature's Questioning | p. 67 |
In a Eweleaze near Weatherbury | p. 69 |
'I look into my glass' | p. 70 |
From Poems of the Past and the Present (1901) | p. 72 |
V.R. 1819-1901 | p. 73 |
Drummer Hodge | p. 74 |
The Souls of the Slain | p. 76 |
Rome: Building a New Street in the Ancient Quarter | p. 80 |
Rome: At the Pyramid of Cestius near the Graves of Shelley and Keats | p. 81 |
A Commonplace Day | p. 82 |
To an Unborn Pauper Child | p. 84 |
Her Reproach | p. 86 |
His Immortality | p. 87 |
Winter in Durnover Field | p. 88 |
The Darkling Thrush | p. 88 |
The Respectable Burgher on 'The Higher Criticism' | p. 91 |
The Self-Unseeing | p. 93 |
In Tenebris I | p. 94 |
In Tenebris II | p. 96 |
In Tenebris III | p. 98 |
Tess's Lament | p. 100 |
Sapphic Fragment | p. 102 |
[actual symbol not reproducible] | p. 103 |
From Time's Laughingstocks and Other Verses (1909) | p. 105 |
The Revisitation | p. 106 |
A Trampwoman's Tragedy | p. 112 |
In the Mind's Eye | p. 117 |
He Abjures Love | p. 117 |
Let Me Enjoy | p. 119 |
Julie-Jane | p. 120 |
The Dead Quire | p. 121 |
Night in the Old Home | p. 126 |
After the Last Breath | p. 127 |
One We Knew | p. 128 |
George Meredith, 1828-1909 | p. 130 |
Yell'ham Wood's Story | p. 131 |
A Young Man's Epigram on Existence | p. 132 |
From Satires of Circumstance, Lyrics and Reveries (1914) | p. 133 |
In Front of the Landscape | p. 134 |
Channel Firing | p. 137 |
The Convergence of the Twain | p. 138 |
'When I set out for Lyonnesse' | p. 141 |
Wessex Heights | p. 143 |
A Singer Asleep | p. 145 |
Self-Unconscious | p. 148 |
Under the Waterfall | p. 150 |
'Poems of 1912-13' | p. 151 |
The Going | p. 153 |
Your Last Drive | p. 155 |
The Walk | p. 156 |
Rain on a Grave | p. 157 |
'I found her out there' | p. 158 |
Without Ceremony | p. 160 |
Lament | p. 161 |
The Haunter | p. 163 |
The Voice | p. 164 |
His Visitor | p. 166 |
A Circular | p. 167 |
A Dream or No | p. 167 |
After a Journey | p. 169 |
A Death-Day Recalled | p. 171 |
Beeny Cliff | p. 172 |
At Castle Boterel | p. 173 |
Places | p. 175 |
The Phantom Horsewoman | p. 177 |
The Spell of the Rose | p. 178 |
St Launce's Revisited | p. 180 |
Where the Picnic Was | p. 181 |
The Obliterate Tomb | p. 183 |
The Workbox | p. 187 |
Exeunt Omnes | p. 188 |
A Poet | p. 190 |
In the Cemetery | p. 191 |
From Moments of Vision and Miscellaneous Verses (1917) | p. 192 |
Moments of Vision | p. 193 |
The Voice of Things | p. 194 |
Apostrophe to an Old Psalm Tune | p. 195 |
At the Word 'Farewell' | p. 196 |
Heredity | p. 197 |
Near Lanivet, 1872 | p. 198 |
Copying Architecture in an Old Minster | p. 199 |
To Shakespeare | p. 201 |
Quid Hic Agis? | p. 203 |
On a Midsummer Eve | p. 206 |
The Blinded Bird | p. 206 |
The Statue of Liberty | p. 207 |
The Change | p. 209 |
Lines to a Movement in Mozart's E-Flat Symphony | p. 211 |
The Pedigree | p. 212 |
His Heart: A Woman's Dream | p. 215 |
The Oxen | p. 216 |
The Photograph | p. 217 |
The Last Signal | p. 218 |
The Figure in the Scene | p. 219 |
Overlooking the River Stour | p. 220 |
The Musical Box | p. 222 |
Old Furniture | p. 223 |
The Five Students | p. 225 |
The Wind's Prophecy | p. 226 |
During Wind and Rain | p. 228 |
A Backward Spring | p. 230 |
He Revisits His First School | p. 231 |
'I thought, my Heart' | p. 232 |
The Shadow on the Stone | p. 233 |
'For Life I had never cared greatly' | p. 234 |
The Pity of It | p. 236 |
In Time of 'The Breaking of Nations' | p. 237 |
A New Year's Eve in War Time | p. 239 |
'I looked up from my writing' | p. 241 |
Afterwards | p. 242 |
From Late Lyrics and Earlier (1922) | p. 244 |
Weathers | p. 253 |
'According to the Mighty Working' | p. 254 |
The Contretemps | p. 255 |
'And There Was a Great Calm' | p. 257 |
The Selfsame Song | p. 259 |
At Lulworth Cove a Century Back | p. 260 |
The Collector Cleans His Picture | p. 261 |
On the Tune Called the Old-Hundred-and-Fourth | p. 263 |
Voices from Things Growing in a Churchyard | p. 264 |
After a Romantic Day | p. 266 |
In the Small Hours | p. 267 |
Last Words to a Dumb Friend | p. 268 |
A Drizzling Easter Morning | p. 269 |
'I was the midmost' | p. 270 |
The Inscription | p. 271 |
The Whitewashed Wall | p. 274 |
After Reading Psalms XXXIX, XL, etc. | p. 276 |
Surview | p. 277 |
From Human Shows, Far Phantasies, Songs and Trifles (1925) | p. 279 |
Waiting Both | p. 280 |
A Bird-Scene at a Rural Dwelling | p. 280 |
In a Former Resort after Many Years | p. 281 |
A Cathedral Facade at Midnight | p. 282 |
The Monument-Maker | p. 283 |
The Later Autumn | p. 284 |
An East-End Curate | p. 285 |
Sine Prole | p. 286 |
A Sheep Fair | p. 287 |
Snow in the Suburbs | p. 289 |
A Light Snow-Fall after Frost | p. 290 |
Music in a Snowy Street | p. 291 |
In Sherborne Abbey | p. 292 |
The Mock Wife | p. 294 |
'Not only I' | p. 296 |
Her Haunting-Ground | p. 297 |
Days to Recollect | p. 298 |
This Summer and Last | p. 299 |
'Nothing matters much' | p. 300 |
Before My Friend Arrived | p. 301 |
The Bird-Catcher's Boy | p. 301 |
Song to an Old Burden | p. 304 |
'Why do I?' | p. 305 |
From Winter Words in Various Moods and Metres (1928) | p. 307 |
The New Dawn's Business | p. 309 |
Proud Songsters | p. 310 |
The Prophetess | p. 311 |
A Wish for Unconsciousness | p. 312 |
The Love-Letters | p. 312 |
Throwing a Tree | p. 313 |
Lying Awake | p. 314 |
Childhood Among the Ferns | p. 315 |
A Poet's Thought | p. 316 |
'I watched a blackbird' | p. 317 |
A Nightmare, and the Next Thing | p. 318 |
So Various | p. 319 |
An Evening in Galilee | p. 321 |
We Field-women | p. 323 |
He Never Expected Much | p. 324 |
Standing by the Mantelpiece | p. 325 |
Our Old Friend Dualism | p. 326 |
Drinking Song | p. 327 |
The Aged Newspaper Soliloquizes | p. 331 |
Christmas: 1924 | p. 331 |
The Boy's Dream | p. 332 |
Family Portraits | p. 333 |
Christmas in the Elgin Room | p. 335 |
'We are getting to the end' | p. 337 |
He Resolves to Say No More | p. 338 |
From Hardy's Uncollected Poems | p. 340 |
Thoughts from Sophocles | p. 340 |
The Eve of Waterloo | p. 342 |
Prologue | p. 344 |
Epilogue | p. 345 |
On One Who Thought No Other Could Write Such English as Himself | p. 346 |
Selections from Hardy's Autobiography | p. 347 |
Appendix I: Two Early Versions of Poems by Hardy | p. 361 |
Appendix II: Page References in Hardy's Autobiography | p. 365 |
Bibliography | p. 367 |
Index of titles | p. 376 |
Index of first lines | p. 381 |
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