Introduction | p. 1 |
Anglo-Celtic Catholicism | |
A Song That Will Not Die: The Films of Terence Davies | p. 11 |
Two Films of Neil Jordan: In an Irish Context | p. 25 |
Revisiting the Devil's Playground: The Films of Fred Schepisi | p. 33 |
Catholicism, Mainstream American | |
Her Household Saints: Nancy Savoca's Saints | p. 47 |
Parables on Screen: John Sayles and Men with Guns | p. 57 |
Catholicism and the Iberian Peninsula | |
The Mother of All Redemptions: Almodovar's All About My Mother | p. 75 |
Solidarity, Sharing, and Compassion: Walter Salles's Central do Brasil (Central Station) | p. 85 |
Observer of Everyday Life: Carlos Carrera and El Crimen del Padre Amaro (The Crime of Father Amaro) | p. 97 |
The Son of Man (Facing Southeast): Jesus Christ in Eliseo Subiela's Films | p. 103 |
Catholicism beyond Europe: Africa and Asia | |
Finding His Place in Society, Local Stories with a Universal and Spiritual Dimension: Filmmaking by Gaston Kabore | p. 119 |
The Legacy of Lino Brocka | p. 131 |
Catholic, Agnostic, Atheist | |
Sacrilege, Satire, or Statement of Faith? Ways of Reading Luis Bunuel's Viridiana | p. 145 |
The Christian Moral Vision of a Believing Atheist: Krzysztof Kieslowski's Decalogue Films | p. 157 |
Jesus de Montreal: The Vision of Denys Arcand | p. 173 |
Catholic-Jewish Relationships | |
Memory's Progress: Ambiguity in Louis Malle's Au Revoir les Enfants | p. 193 |
Roberto Benigni as Director: Toward an Analysis of Values | p. 203 |
Land of Promise: Reflections on Andrzej Wajda's Merchants of Lodz | p. 209 |
Catholicism: Past and Future | |
Following His True Passion: Mel Gibson and The Passion of the Christ | p. 225 |
View Askewed in Dogma: Kevin Smith-A Funny Guy? | p. 239 |
Index | p. 253 |
About the Contributors | p. 269 |
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