Acknowledgments | |
Preface | |
Orthographic Note | |
"Hyenas Do Not Sleep Together": The Interpretation of Basotho Migrants' Auriture | |
"The Mouth of a Commoner Is Not Listened To": Power, Performance, and History | |
"Greetings, Child of God!": Generations of Travelers and Their Songs | |
"An Initiation Secret Is Not Told at Home": The Making of a Country Traveler | |
"These Mine Compounds, I Have Long Worked Them": Auriture and Migrants' Labors | |
"I'd Rather Die in the Whiteman's Land": The Traveling Women of Eloquence | |
"My Heart Fights with My Understanding": Bar Women's Auriture and Basotho Popular Culture | |
"Eloquence Is Not Stuck on Like a Feather": Sesotho Aural Composition and Aesthetics | |
"Laughter Is Greater than Death": Migrants' Songs and the Meaning of Sesotho | |
References | |
Index | |
Notes | |
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