The Composer in Context | |
A Composer's Point of View | p. 3 |
Towards the Condition of Music | p. 7 |
Art and Anarchy | p. 16 |
Composers Past and Present | |
Schoenberg | p. 25 |
Stravinsky and Les Noces | p. 47 |
Purcell | p. 57 |
Britten | p. 66 |
Holst | p. 73 |
Hindemith and Ludus tonalis | p. 76 |
Shostakovich | p. 79 |
Charles Ives | p. 83 |
Traditions and Texts | |
Archetypes of Concert Music | p. 89 |
T. S. Eliot and A Child of Our Time | p. 109 |
Sketch for a Modern Oratorio | p. 117 |
The Nameless Hero: Reflections on A Child of Our Time | p. 178 |
The Midsummer Marriage | p. 185 |
The Resonance of Troy: Essays and Commentaries on King Priam | p. 209 |
Dreams of Power, Dreams of Love | p. 220 |
St Augustine and his Visions | p. 228 |
Aspects of Belief | p. 237 |
The Mask of Time | p. 245 |
The Art of Performance | |
The Score | p. 259 |
The Stage | p. 269 |
Afterwords | |
A Composer and his Public | p. 277 |
The Composer and Pacificism | p. 282 |
The Artist's Mandate | p. 287 |
Too Many Choices | p. 294 |
'Dreaming on Things to Come...' | p. 307 |
Appendix | p. 310 |
Index | p. 313 |
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