Tonal Harmony Wkbk with Wkbk Audio CD and Finale CD-ROM

by Kostka, Stefan

• ISBN13: 9780072918960
• ISBN10: 0072918969
• Edition: 5th
• Format: Package
• Copyright: 2003-08-13
• Publisher: McGraw-Hill Humanities/Social Sciences/Languages

Summary

Designed to meet the needs of the two-year theory curriculum for music majors, this straightforward text emphasizes practicality and ease of use for both the student and the instructor. Its outstanding ancillaries, which include a collection of audio examples on CD and an extensive Instructor's Manual, rounds out the effective teaching package.

Table of Contents

About the Authors

Preface To the Student

Fundamentals

Elements of Pitch

The Keyboard and Octave Registers Notation of the Staff

The Major Scale

The Major Key Signatures Minor Scale Minor Key Signatures Scale

Degree Names Intervals Perfect, Major, and Minor Intervals

Augmented and Diminished Intervals Inversion of Intervals

Consonant and Dissonant Intervals

Summary

Elements of Rhythm Rhythm Durational Symbols Beat and Tempo Meter Division of the Beat Simple

Time Signatures Compound

Time Signatures

Time Signatures Summarized More on Durational Symbols

Summary

Introduction to Triads and Seventh Chords

Introduction Triads Seventh Chords

Inversions of Chords

Inversion Symbols and Figured Bass Lead Sheet Symbols

Recognizing Chords in Various Textures

Summary

Diatonic Chords in Major and Minor Keys Introduction

The Minor Scale Diatonic Triads in Major

Diatonic Triads in Minor

Diatonic Seventh Chords in Major

Diatonic Seventh Chords in Minor

Summary

Diatonic Triads

Principles of Voice Leading Introduction

The Melodic Line Notating Chords Voicing a Singe Triad Parallel Motion

Summary

Root Position Part Writing Introduction Root Position

Part Writing with Repeated Roots Root Position

Part Writing with Roots a 4th (5th) Apart Root Position

Part Writing with Roots a 3rd (6th) Apart Root Position

Part Writing with Roots a 3rd(7th) Apart Instrumental Ranges and Transpositions

Summary

Harmonic Progression Introduction Sequences and the Circle of Fifths

The I and V Chords

The II Chord

The VI Chord

The III Chord

The VII Chord

The IV Chord Common Exceptions Differences in the Minor Mode

Progressions Involving Seventh Chords Harmonizing a Simple Melody

Conclusion

Summary

Triads in First Inversion Introduction Bass Arpeggiation

Substituted First Inversion Triads Parallel Sixth Chords

Part Writing First Inversion Triads Soprano-Bass Counterpoint

Summary

Triads in Second Inversion Introduction Bass

Arpeggiation and the Melodic Bass

The Cadential Six-Four

The Passing Six-Four

The Pedal Six-Four

Part Writing for Second Inversion Triads

Summary

Cadences, Phrases, and Periods Musical Form Cadences

Cadences and Harmonic Rhythm Motives and Phrases Mozart: SAn die Freude Period Forms

Summary

Non Chord Tones 1 Introduction Classification of Non-Chord

Tones Passing

Tones Neighboring

Tones Suspensions and Retardations Figured Bass and Lead Sheet Symbols Embellishing a Simple Texture

Summary

Non-Chord Tones 2 Appoggiaturas Escape Tones

The Neighbor Group Anticipations

The Pedal Point Special Problems in the Analysis of Non-Chord Tones

Summary

Diatonic Seventh Chords

The V7 Chord Introduction General Voice-Leading Considerations

The V7 in Root Position

The V7 in Three Parts Other Resolutions of the V7

The Inverted V7 Chord

The V6/5 Chord

The V4/3 Chord

The V4/2 Chord

The Approach to the Seventh

Summary

The II7 and VII7 Chords Introduction

The II7 Chord

The VII7 Chord in Major

The VII7 Chord in Minor

Summary

Other Diatonic Seventh Chords

The IV7 Chord

The VI7 Chord

The I7 Chord

The III7 Chord Seventh Chords and the Circle-of -Fifths Progression

Summary

Chromaticism 1

Secondary Functions 1

Chromaticism and Altered Chords Secondary Functions

Secondary Dominant Chords Spelling Secondary

Dominants Recognizing Secondary Dominants

Secondary Dominants in Context

Summary

Secondary Functions 2

Secondary Leading-Tone Chords Spelling Secondary

Leading-Tone Chords Recognizing Secondary

Leading-Tone Chords Secondary

Leading-Tone Chords in Context Sequences Involving Secondary

Functions Deceptive Resolutions of Secondary Functions Other

Secondary Functions

Summary

Modulations Using Diatonic Common Chords

Modulation and Change of Key

Modulation and Tonicization Key Relationships Common-Chord Modulation Analyzing Common-Chor

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