These classics provide a broad look at critical argument about Toni Morrison's meanings and significance during the past ten years. From the formative effects of learning one's "Otherness" as a result of majority perception, to the apocalyptic implications of racial memory, to the moral and psychologically constructive act of storytelling, to the structural function served by improvisational jazz music, to the imagery associated with both flight and naming, to the uniquely female experience of community-major issues raised by Morrison's body of work are explicated here.