Trace and Transformation: American Criticism of Photography in the Modernist Period

by Eisinger, Joel

• ISBN13: 9780826320414
• ISBN10: 0826320414
• Format: Paperback
• Copyright: 1999-01-01
• Publisher: Univ of New Mexico Pr

Summary

This historical survey of American theory and criticism of art photography covers the period from late-nineteenth-century Pictorialism through 1970s formalism. The author deals deftly with the difficulties faced by critics -- from the essential question, how is photography an art at all? to the more modernist question of what constitutes the medium of photography at its pure core. With Pictorialism representing the first theory of photography as art, Eisinger begins his chronological overview with Charles Caffin and Sadakichi Hartmann, the two major Pictorialist critics who worked in the circle of Alfred Stieglitz and the Photo-Secession. A discussion of documentary photography of the 1930s and magazine photography of the 1940s offers an explanation for these years being a low point for photographic art criticism. The writings of Minor White, Henry Holmes Smith, and others in the 1950s brought renewal to photographic criticism, whose apogee is, arguably, John Szarkowski.

Table of Contents

List of Reproductions	vi
Acknowledgments	vii
Introduction	1	(12)
Pictorialism	13	(39)
Straight Photography	52	(27)
Documentary Photography	79	(37)
Popular Criticism	116	(22)
Subjectivism	138	(63)
An Independent Vision: Margery Mann	201	(9)
Formalism	210	(35)
Conclusion: Modernism and Postmodernism	245	(26)
Notes	271	(23)
Select Bibliography	294	(10)
Index	304