Acknowledgments | p. vii |
Introduction | p. ix |
Race, Class, and Gender | |
Railroad Blues: Crossing the Tracks of Gender, Class, and Race Inequities in the Blues and Ann Petry's The Street | p. 3 |
Nineteenth-Century German Women Writers on the Railroad | p. 29 |
Politics and Poetics | |
Technology Transfer, the Railway, and Independence in Ousmane Sembène's Les Bouts de bois de Dieu | p. 53 |
Futurist Trains: Aesthetics and Subjectivity in the Italian Avant-Garde | p. 77 |
Visual Cultures | |
Sublime Hieroglyphics: The Pacific Coast Views 1867-1872 of Carleton Watkins | p. 97 |
Modernity, Anxiety, and the Development of a Popular Railway Landscape Aesthetic, 1809-1879 | p. 119 |
New Critical Transfers | |
Mapping Memory through the Railway Network: Reconsidering Freud's Metaphors from the Project for a Scientific Psychology to Beyond the Pleasure Principle | p. 159 |
Killer Trains and Thrilling Travels: The Spectacle of Mobility in Zola and Proust | p. 179 |
Economics and Power | |
Class and Counterfeiting during the Porfiriato: Gutiérrez Nájera's "The Streetcar Novel" | p. 203 |
Train, Trestle, Ticker: Railroad and Region in Frank Norris's The Octopus and Maria Amparo Ruiz de Burton's The Squatter and the Don | p. 219 |
Index | p. 237 |
Notes on Contributors | p. 245 |
Table of Contents provided by Ingram. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.