Foreword | p. 7 |
Acknowledgments | p. 9 |
Introduction: Pushing the Limits: Chinese Experimental Art from 1979 to 1999 | p. 11 |
Demystification | p. 27 |
Counter-Monument: Xu Bing, Ghosts Pounding the Wall | p. 31 |
Anti-Writing: Wenda Gu, Pseudo Seal-Script | p. 36 |
Nothing Beyond the Gate: Zhang Hongtu, Studs | p. 43 |
Mao Revisited: Xing Danwen, Born with the Cultural Revolution | p. 49 |
Still Breathing: Song Dong, Breathing | p. 54 |
Remembering: Mo Yi, Made by the Police Department 1 and 2 | p. 60 |
Silence: Sui Jianguo, Earthly Force | p. 66 |
Representing the Ordinary: Yu Fan, My Mother | p. 73 |
Ruins | p. 79 |
Rotten Red: Cai Jin, Beauty Banana Plant No. 48 | p. 83 |
Fragmentation as Creation: Shi Chong, The Stage | p. 88 |
Human Waste: Yuan Dongping, Sisters | p. 95 |
Speaking the Unspeakable: Zhang Huan, 12 Square Meters | p. 102 |
Demolition Project: Zhan Wang, Temptation | p. 109 |
Ruin Pictures: Rong Rong, Untitled | p. 114 |
Sealed Memory: Yin Xiuzhen, Suitcase | p. 120 |
Transience | p. 127 |
Surface: Zhan Wang, Ornamental Rock | p. 130 |
State of Being: Zhu Fadong, This Person Is For Sale | p. 137 |
Zero Gravity: Yu Hong, Flying | p. 142 |
Interior Time/Space: Zeng Hao, 5:00 p.m. in the Afternoon | p. 149 |
Translucency: Wang Jin, A Chinese Dream | p. 155 |
Fallen Angels: Liu Zheng, Peking Opera Scenes | p. 160 |
Invisibility: Qiu Zhijie, Tattoo 1 and 2 | p. 168 |
Coda: A Brief Reflection on the Study of Contemporary Chinese Experimental Art | p. 176 |
Appendixes | |
Biographies of the Artists | p. 189 |
A Survey of Contemporary Chinese Art | p. 201 |
Check List of the Exhibition | p. 210 |
Selected Bibliography | p. 212 |
Chinese Names and Terms | p. 214 |
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