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Introduction: Still Being Read after so Many Years: Rethinking the Classic through Translation, Alexandra Lianeri and Vanda Zajko | |
Theorising Translation and the Classic | |
Translation | |
Interpretation | |
Canon Formation | |
Lawrence Venuti | |
The End of Translation | |
John Sallis | |
Political Translations: Holderlin's Das Hochste | |
Andrew Benjamin | |
Dryden's Ovid | |
Dante Gabriel Rossetti | |
and Aesthetic Translation | |
Charles Martindale | |
Between Homage and Critique: Coetzee | |
Translation | |
and the Classic | |
Johan Geertsema | |
'Das Alterum das lasst sich nicht ubersetzen': Translation and Untranslatability in Ancient History | |
Neville Morley | |
Homer and Cinema: Translation and Adaptation in Le Mepris | |
Jo Paul | |
The Persistence of the Classic: Tracing the History of Translations | |
Classical Translations of the Classics: The Dynamics of Literary Tradition in Retranslating Epic Poetry | |
Richard Armstrong | |
Tradition | |
Translation | |
and Colonization: The Greco-Arabic Translation Movement and Deconstructing the Classics | |
Azzedine Haddour | |
Classic Simplicity | |
Fred Parker | |
Raising the Dead: Marlowe's Lucan | |
Dan Hooley | |
The Gates of Melbourne: Translating the Classic Play | |
J. Michael Walton | |
Translation and the 'Surreptitious Classic': Obscenity and Translatability | |
Deborah H. Roberts | |
Contesting the Classic: The Politics of Translation Practice | |
Navigating the Realms of Gold: Translation As Access Route to the Classics | |
Edith Hall | |
Translated Classics: Vibrant Hybrids or Shattered Icons? | |
Lorna Hardwick | |
Intralingual Translation: Genuine and False Dilemmas | |
Dimitris N. Maronitis | |
Translating Aeschylean Choral Lyric | |
Seth L. Schein | |
Working with Translators | |
J. M.Coetzee | |
Table of Contents provided by Publisher. All Rights Reserved. |
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