List of figures | |
Introduction | p. 1 |
Aetiology | p. 17 |
The genealogy of a concept | p. 19 |
Trauma and modernity | p. 20 |
The law of 'nervous shock' | p. 26 |
Trauma in psychology 1870-1914 | p. 34 |
Trauma in the war ecology: Shell shock | p. 49 |
Trauma and the politics of identity: Vietnam, Holocaust and abuse survivors | p. 59 |
Cultural symptoms | p. 77 |
Trauma and narrative knowledge | p. 79 |
Trauma in narrative fiction | p. 87 |
Beloved: A paradigmatic trauma fiction | p. 90 |
Stephen King's trauma Gothic | p. 97 |
Mainstream fiction and traumatic anachrony | p. 105 |
W. G. Sebald: The last trawnatophile? | p. 111 |
My so-called life: The memoir boom | p. 117 |
Five elements towards the trauma memoir | p. 121 |
Memoir and the judicious truth | p. 135 |
Generating autofictions: Philip Roth, Herve Guibert, Kathryn Harrison | p. 137 |
The intrusive image: Photography and trauma | p. 147 |
The fine art of trauma | p. 150 |
Aftermath aesthetics: Christian Boltanski, Gerhard Richter, Tracey Moffatt | p. 154 |
Beautiful books of atrocity: Sebastiao Salgado, Giles Peress, Luc Delahaye | p. 164 |
Flashbacks, mosaics and loops: Trauma and narrative cinema | p. 177 |
A genealogy of the traumatic flashback | p. 179 |
Three trauma auteurs: Alain Resnais, Atom Egoyan, David Lynch | p. 185 |
Trauma and 'post-classical' film since 1990 | p. 203 |
Afterwards | p. 209 |
Bibliography | p. 215 |
Legal cases | p. 234 |
Index | p. 235 |
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