Introduction | |
"We Wear the Mask": Sui Sin Far as One Example of Trickster Authorship | p. 1 |
Maria Cristina Mena: Turn-of-the-Century La Malinche, and Other Tales of Cultural (Re)Construction | p. 21 |
"A Second Tongue": The Trickster's Voice in the Works of Zitkala-Sa | p. 46 |
Manifest Dentistry, or Teaching Oral Narrative in McTeague and Old Man Coyote | p. 61 |
Goophering Around: Authority and the Trick of Storytelling in Charles W. Chesnutt's The Conjure Woman | p. 79 |
Reinventing Trickster: Creek Indian Alex Posey's Nom de Plume, Chinnubbie Harjo | p. 93 |
Cross-Dressing and Cross-Naming: Decoding Onoto Watanna | p. 106 |
Mourning Dove, Trickster Energy, and Assimilation-Period Native Texts | p. 126 |
Reading Trickster; or, Theoretical Reservations and a Seneca Tale | p. 137 |
Spies in the Enemy's House: Folk Characters as Tricksters in Frances E. W. Harper's Iola Leroy | p. 158 |
List of Contributors | p. 187 |
Index | p. 189 |
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