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9780763642235

Triskellion 2: The Burning

by
  • ISBN13:

    9780763642235

  • ISBN10:

    0763642231

  • Edition: 1st
  • Format: Hardcover
  • Copyright: 2009-05-12
  • Publisher: Candlewick

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Supplemental Materials

What is included with this book?

Summary

As twins Rachel and Adam are pursued across Europe by terrifying forces, they realize they can trust no one and must draw on their special powers to survive. After the shocking revelations in Triskellion, being guests of the "Hope Project" might seem like a relief. But Rachel and Adam soon figure out that they're being held prisoner, and that the program has more sinister goals than archaeological research in mind. A hideous discovery at the funeral of their grandmother makes it clear that the teenagers must flee from England to Paris, Seville, and fi nally Morocco, evading not only their former benefactors but also the followers of "The Englishman," a zombie-like fi gure with a frightening agenda of his own. It will take all of their special abilities and courage to stay alive until their journey reaches an explosive climax and they unearth, on the North African coast, an ancient secret even more startling than the first.

Author Biography

Will Peterson is a shared pseudonym of Mark Billingham, award-winning author of the bestselling Tom Thorne crime novels, and Peter Cocks, a popular children’s television writer and performer. Mark Billingham lives in London, and Peter Cocks lives in Kent, England.

Supplemental Materials

What is included with this book?

The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.

The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.

Excerpts

Rachel woke up in a bed. In her bed. Not the creaky brass bed in the flowery bedroom of her grandmother's cottage in Triskellion, but in her own bed, in her own room. Her own room in New York City.

She lay still for a moment, letting her eyes travel around the room, afraid to close them again in case it disappeared. Everything was there: the well-thumbed copy of Where's Waldo? that was a childhood favourite; the china piggybank that only ever held a couple of dollars in change; the furry, glass-eyed cat and a battered and grubby teddy bear that had belonged to her mother. Everything was in its place, each item a touchstone to memories that now seemed part of a distant past. Rachel's gaze drifted past the Johnny Depp poster to the window, where narrow shafts of light were squeezing their way through the wooden slats of the blind. She could hear the low rumble and honk of traffic on the street outside. The sounds of Manhattan coming to life...

Rachel blinked.

The room was still there. She was not dreaming. But how, she wondered, did she get here?

She remembered the helicopter ride - the flight from Triskellion with Adam, her mother and Laura Sullivan - and the landing, a grey and misty place, miles from anywhere. She remembered being separated from Adam and being bundled into a building, weak with exhaustion from the day's events.
Her thoughts began to spool back in fast rewind...

Rachel shuddered and felt a fearful lurch in her stomach as she remembered what Gabriel had revealed to them. That they were like him. That she and Adam were human but had ... something else in their blood. In their genes. Something that made them very different. Her stomach knotted as she realized that one fact would inform every moment of the rest of their lives: their bloodline had been created centuries before, by the union of a human and someone from another world. Rachel felt a wave of nausea and, for a moment, thought she might be sick.

She breathed deeply and closed her eyes until the feeling had passed.

Whatever had happened, at least she and Adam had been reunited with their mother. At least they were home. She just couldn't remember how she had got here. She must have slept for days. Maybe she'd been given something to help her sleep...

But she took comfort from the fact that, however she had got here, she was a safe distance from England, from the village where it had all started. It would be a huge relief to talk to her mum about everything, to Adam...

Then Rachel realized that, for the first time in her life, she couldn't hear her brother's voice in her head. Nor Gabriel's voice, or any voices at all. Not even the insistent humming, like the drone of bees, that told Rachel she was on their wavelength; that she was ready to receive their thoughts.

Just silence.

Rachel felt a little panicked and climbed out of bed. She needed to find Adam and see if he felt the same. Her head was fuzzy and her tongue was thick and heavy inside her mouth. She felt unsteady on her feet and, guessing that she'd stood up too quickly, she reached out for the desk beside the bed to steady herself.

The desktop was as tidy as she'd left it a month or so before; pens in the plastic pot, a stack of CDs and the little round red mirror. Rachel picked it up and stared at herself. She looked terrible. Her curly chestnut hair was greasy and matted and her face looked pale and puffy, as if she had been crying for days. She put the mirror face down and, as she raised her head, another thought struck her. This room - her room - looked and felt and sounded like it should, but it didn't smell right. It smelled synthetic, like the inside of a new car. Rachel slipped on her red plastic flip-flops and walked over to the door. The handle felt unusually stiff. She gave it a jerk and let out an involuntary cry as the door flew back. It didn't open on to the carpeted hallway that led to her parents

Excerpted from The Burning by Will Peterson
All rights reserved by the original copyright owners. Excerpts are provided for display purposes only and may not be reproduced, reprinted or distributed without the written permission of the publisher.

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