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Preface | |
Introduction: The Nineteenth-Century Musical Background | p. 1 |
The Historical Context: Europe at the Turn of the Century | p. 11 |
Some Transitional Figures | p. 18 |
The Atonal Revolution | p. 62 |
New Tonalities | p. 89 |
Other European Currents | p. 111 |
Beyond the Continent | p. 128 |
Reconstruction and New Systems: between the Wars | p. 149 |
The Historical Context: Europe after World War I | p. 151 |
Neo-Classicism | p. 159 |
The Twelve-Tone System | p. 187 |
The Influence of Politics | p. 220 |
Other Europeans | p. 251 |
England after World War I | p. 270 |
The United States | p. 283 |
Latin America | p. 315 |
The Historical Context: the World after World War II | p. 325 |
Integral Serialism | p. 333 |
Indeterminacy | p. 359 |
Innovations in Form and Texture | p. 379 |
The New Pluralism | p. 407 |
A Return to Simplicity: Minimalism and the New Tonality | p. 423 |
Music and the External World | p. 441 |
Developments in Technology: Electronic Music | p. 461 |
Epilogue: Music Today | p. 481 |
Bibliography | p. 491 |
Index | p. 539 |
Table of Contents provided by Publisher. All Rights Reserved. |
The New copy of this book will include any supplemental materials advertised. Please check the title of the book to determine if it should include any access cards, study guides, lab manuals, CDs, etc.
The Used, Rental and eBook copies of this book are not guaranteed to include any supplemental materials. Typically, only the book itself is included. This is true even if the title states it includes any access cards, study guides, lab manuals, CDs, etc.