Introduction: New Perspectives on Nineteenth-Century Art: Views from Across a Century | p. 15 |
Exhibitions | |
"Beware Possible Intrigues Against Gold Award": Rookwood Pottery at the 1889 Exposition Universelle | p. 23 |
Declaration of Empire: The United States National Pavilion at the Paris Exposition of 1900 | p. 29 |
Reframing the Modern: National Image and Joseph Maria Olbrich's Design for the St. Louis World's Fair of 1904 | p. 39 |
Museums and Other Art Spaces | |
On the Frontier: The Origins of the Minnesota Museum of American Art | p. 49 |
Transatlantic Collecting: Paris to Minneapolis | p. 56 |
Telfair's Artist Statues: From Vienna to Savannah | p. 64 |
Marketing and Collecting Art | |
Goupil's Album: Marketing Salon Painting in the Late Nineteenth Century | p. 77 |
A Forgotten Collector Makes His Mark: William Mead Ladd and Print Collecting at the Turn of the Century | p. 85 |
Julien Dupre: The Making, Unmaking, and Remaking of an Academic Reputation | p. 93 |
Artistic Practice and Collaboration | |
John Ruskin and the Ethics of the Picturesque | p. 103 |
Daubigny, Courbet, and the Sluice Gate at Optevoz | p. 110 |
Max Ernst and J. J. Grandville | p. 116 |
The Decorated Environment | |
Goya's Ambiguous Saturn | p. 127 |
Siegfried Bing and Charles Conder: The Many Faces of "New Art" | p. 133 |
Whistler's 1881 Venice Pastels Exhibition: An "Arrangement in Olive Green and Venetian Red" | p. 141 |
Chinoiserie and Japonism | |
Power and Patronage: Empress Eugenie and the Musee chinois | p. 153 |
Hugues Krafft's Midori-no-sato: The Art of Bringing Zen to the West | p. 162 |
Art or Ethnography: The Histories of Some Far-Eastern Objects from the Louvre, Now in the Musee des Beaux-Arts, Brest | p. 171 |
The Response to Feminism | |
Mary Elizabeth Braddon: Negotiating the Business of Victorian Respectability | p. 183 |
Paper Ladies: Locating the Nineteenth-Century Cocotte in Popular Literature and Journal Illustrations | p. 193 |
Emmanuel Fremiet's Gorilla Carrying Off a Woman: Beauty, the Beast, and Their Contexts | p. 204 |
Art and Nationalism | |
Modernism and Nationalist Architecture in Estonia | p. 215 |
The Origins of the American Memorial Tradition: The Monument to General Richard Montgomery | p. 222 |
Revisions | |
Jean-Frangois Raffaelli: A Unique Voice in the Crowd | p. 231 |
Fernand Cormon's Cain: Epic Naturalism in Nineteenth-Century History Painting | p. 238 |
Modernism and Modernity | |
The Pre-Raphaelites, Modernism, and Fin-de-Siecle France | p. 249 |
Maximilien Luce and the Specter of Neo-Impressionism | p. 254 |
"As ugly a monster as has been yet produced: Buffalo's Nineteenth-Century Grain Elevators | p. 263 |
Dawn Patrol over No Man's Land: A Note on Aviation Architecture and Design of the Great War | p. 270 |
Notes on Contributors | p. 277 |
Index | p. 281 |
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