Introduction | p. 3 |
Are You Now or Have You Ever Been a Christian? The Strange History of The Robe as Political Allegory | p. 19 |
Un-American: Dmytryk, Rossellini, and Christ in Concrete | p. 39 |
"A Living Part of the Class Struggle": Diego Rivera's The Flower Carrier and the Hollywood Left | p. 51 |
A Monarch for the Millions: Jewish Filmmakers, Social Commentary, and the Postwar Cycle of Boxing Films | p. 79 |
The Violent Poetry of the Times: The Politics of History in Daniel Mainwaring and Joseph Losey's The Lawless | p. 97 |
Dark Passages: Jazz and Civil Liberty in the Postwar Crime Film | p. 113 |
Documentary Realism and the Postwar Left | p. 130 |
Cloaked in Compromise: Jules Dassin's "Naked" City | p. 142 |
The Progressive Producer in the Studio System: Adrian Scott at RKO, 1943-1947 | p. 152 |
The House I Live In: Albert Maltz and the Fight against Anti-Semitism | p. 169 |
Red Hollywood in Transition: The Case of Robert Rossen | p. 184 |
Swashbuckling, Sapphire, and Salt: Un-American Contributions to TV Costume Adventure Series in the 1950s | p. 198 |
Hollywood, the New Left, and FTA | p. 210 |
Red Hollywood | p. 225 |
Afterword | p. 264 |
Acknowledgments | p. 277 |
Notes | p. 279 |
Notes on the Contributors | p. 337 |
Index | p. 339 |
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