Unmarked: The Politics of Performance

by Phelan,Peggy

• ISBN13: 9780415068222
• ISBN10: 0415068223
• Edition: 1st
• Format: Nonspecific Binding
• Copyright: 1993-02-19
• Publisher: Routledge

Summary

As feminist film theory has made clear, representational visibility has psychic and political limitations. Simply being in the public eye does not guarantee access to power. Still, among the Left and within the field of cultural/performance studies, there is an almost ubiquitous assumption that visibility is a crucial aspect of progressive struggle. In Unmarked, Peggy Phelan looks at the relation between political and representational visibility within both the mainstream and the avant-garde. Phelan examines the limitations of visibility politics, suggesting that there may be political power inherent in disappearance from the visual field. Unmarked is a controversial study of the politics of performance, employing the emerging theories of psychoanalysis, feminism and cultural studies to examine an unusually broad conception of what Phelan considers performance; she cites examples from photography, film, theatre, anti-abortion demonstrations andperformance art in her arguments. A boldly speculative analysis of contemporary culture, Unmarked is of interest to performance theorists, cultural studies scholars, art critics and enthusiasts, intellectuals and activists.

Table of Contents

List of figures	viii
Acknowledgements	ix
Broken symmetries: memory, sight, love	1	(33)
Developing the negative: Mapplethorpe, Schor, and Sherman	34	(37)
Spatial envy: Yvonne Rainer's The Man Who Envied Women	71	(22)
The golden apple: Jennie Livingston's Paris Is Burning	93	(19)
Theatre and its mother: Tom Stoppard's Hapgood	112	(18)
White men and pregnancy: discovering the body to be rescued	130	(16)
The ontology of performance: representation without reproduction	146	(21)
Afterword: notes on hope	167	(14)
Notes	181	(14)
Bibliography	195	(8)
Index	203