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| Acknowledgments | ix | ||
| Introduction by Stephen Dunn | xi | ||
| The Difference Between This Moment and the Next | 3 | (2) | |
| Under Your Hat | 5 | (1) | |
| Vespers | 6 | (1) | |
| Get Outta Town | 7 | (1) | |
| Arbor | 8 | (3) | |
| Local Art | 11 | (2) | |
| Don't Let Me Forget You | 13 | (1) | |
| Tongues | 14 | (4) | |
| A Note from Olive Lane | 18 | (2) | |
| Weakness #1: The Barber | 20 | (1) | |
| Noiseless and Small | 21 | (2) | |
| Storm | 23 | (2) | |
| Phone Call from China | 25 | (3) | |
| Miami in September | 28 | (2) | |
| On the Day of Your Arrival | 30 | (1) | |
| Inklings | 31 | (4) | |
| Somewhere Between Here and China | 35 | (4) | |
| Weakness #2: The Barber | 39 | (1) | |
| Circles | 40 | (2) | |
| Late Afternoon July | 42 | (2) | |
| A Night in the Village | 44 | (2) | |
| Even Donkeys | 46 | (4) | |
| Crowscrowscrows | 50 | (3) | |
| The Iris of the Pig | 53 | (3) | |
| La Reforma | 56 | (4) | |
| Three Days Before | 60 | (13) | |
| The Primitive Model | 73 | (3) | |
| Shelburne Falls | 76 | (4) | |
| Long Goodbye | 80 | (3) | |
| The Author | 83 | (1) | |
| The Kathryn A. Morton Prize in Poetry | 84 |
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