Acknowledgments | ix | ||
Introduction by Stephen Dunn | xi | ||
The Difference Between This Moment and the Next | 3 | (2) | |
Under Your Hat | 5 | (1) | |
Vespers | 6 | (1) | |
Get Outta Town | 7 | (1) | |
Arbor | 8 | (3) | |
Local Art | 11 | (2) | |
Don't Let Me Forget You | 13 | (1) | |
Tongues | 14 | (4) | |
A Note from Olive Lane | 18 | (2) | |
Weakness #1: The Barber | 20 | (1) | |
Noiseless and Small | 21 | (2) | |
Storm | 23 | (2) | |
Phone Call from China | 25 | (3) | |
Miami in September | 28 | (2) | |
On the Day of Your Arrival | 30 | (1) | |
Inklings | 31 | (4) | |
Somewhere Between Here and China | 35 | (4) | |
Weakness #2: The Barber | 39 | (1) | |
Circles | 40 | (2) | |
Late Afternoon July | 42 | (2) | |
A Night in the Village | 44 | (2) | |
Even Donkeys | 46 | (4) | |
Crowscrowscrows | 50 | (3) | |
The Iris of the Pig | 53 | (3) | |
La Reforma | 56 | (4) | |
Three Days Before | 60 | (13) | |
The Primitive Model | 73 | (3) | |
Shelburne Falls | 76 | (4) | |
Long Goodbye | 80 | (3) | |
The Author | 83 | (1) | |
The Kathryn A. Morton Prize in Poetry | 84 |
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