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| Frontispiece: "Legacy" | p. 8 |
| Introduction: Continuing the Conversation | p. 10 |
| And the Word Became Word: Editing Virginia Woolf in the Postmodernist Nineties | |
| Woolf Studies Through The Years: Nationalism, Methodological Politics, and Critical Reproduction | p. 16 |
| Woolf and Female Modernism | |
| Woolf, Barnes and the Ends of Modernism: An Antiphon to Between the Acts | p. 25 |
| Virginia Woolf and the Other Arts | |
| 'Her kodak pointed at his head': Virginia Woolf and Photography | p. 33 |
| The Doctor and the Woolf: Reel Challenges - The Cabinet of Dr. Caligari and Mrs. Dalloway | p. 40 |
| Woolf and Male Modernism | |
| The Pathology of the Everyday: Uses of Madness in Mrs. Dalloway and Ulysses | p. 52 |
| Who Comes First, Joyce or Woolf? | p. 59 |
| Circuits of Desire: Constructing Female Subjectivity in Virginia Woolf | |
| The Cook, the Nurse, the Maid, and the Mother: Woolf's Working Women | p. 68 |
| Disrupting the Modern: Woolf's Between the Acts | |
| Pace to Pace with "Ourselves" in Virginia Woolf's Between the Acts | p. 76 |
| Evolution and Imagination in Pointz Hall and Between the Acts | p. 83 |
| Lupine Pedagogies | |
| Lupine Pedagogy: Teaching Woolf to Terrified Students | p. 90 |
| One Retrospective Lupine View: A Terrified Student's View of Virginia Woolf's Three Guineas | p. 97 |
| Elegiac Modernity: Woolf and the Nineteenth Century | |
| Mourning Victoria: Woolf and the Absent Queen | p. 103 |
| The Gendered Gaze: Tourists, Voyeurs, Readers, Weepers | |
| "Accesses of emotion - bursting into tears"; Why All the Crying in Virginia Woolf's Mrs. Dalloway | p. 112 |
| VIRGINIA by Edna O'Brien | |
| Aphra Behn Theatre Company (Program) | p. 119 |
| Against Empire | |
| A Portrait of Alexander, Princess of Wales and Queen of England, in Virginia Woolf's The Waves | p. 121 |
| Woolf and Gay and Lesbian Modernism | |
| Talking It All Out: Homosexual Disclosure in Woolf | p. 128 |
| 'The Albanians, or was it the Armenians?': Virginia Woolf's Lesbianism as Gloss on Her Modernism | p. 134 |
| Figurations of (Pro)Creativity | |
| Finding the Hunger in Hysteria: Freud, Klein, Woolf | p. 142 |
| 'No, she said, she did not want a pear': Women's Relation to Food in To The Lighthouse and Mrs. Dalloway | p. 150 |
| Cross-Gendering and Lesbian Textualities | |
| "Women alone stir my imagination": Reading Virginia Woolf as a Lesbian | p. 158 |
| Sapphist Semiotics in Woolf's The Waves: Untelling and Retelling What Cannot Be Told | p. 171 |
| The Chase of the Wild Goose: The Ladies of Llangollen and Orlando | p. 181 |
| Re-reading the Essays | |
| Those Soul Mates: Virginia Woolf and Michel de Montaigne | p. 190 |
| Woolf and Narrative Matrilineages | |
| Dead Angels: Mothers in Daughters' Texts | p. 200 |
| A Portrait of Virginia Woolf in Maureen Duffy's Play | |
| "A Nightingale in Bloomsbury Square" | p. 205 |
| Spaces, Places, Houses, Rooms: A Feminist Perspective | |
| Rooms and the Construction of the Feminine Self | p. 216 |
| Female Intimacies and the Lesbian Continuum | |
| The Voyage Out: Virginia Woolf's First Lesbian Novel | p. 226 |
| Outing Mrs. Ramsay: Reading the Lesbian Subtext in Virginia Woolf's To the Lighthouse | p. 238 |
| "Love Unspeakable:" The Uses of Allusion in Flush | p. 248 |
| Virginia Woolf's Troubled Materialism | |
| The Troubled Materialism of Virginia Woolf's Feminist Theory of Rhetoric | p. 258 |
| Fiery Fabrics, Tawny Monsters, Throbbing Domesticity: Woolf and Patterns of Popular Culture | |
| Woolf's Monumental List-Works: Transforming Popular Culture's Semiotics of Space | p. 268 |
| Featured Event | |
| "The Lord must have His house": Virginia Woolf's Romantic Anarchism | p. 277 |
| An Ear to the Archives | p. 288 |
| Two Together: Virginia Woolf and Vanessa Bell | |
| By Dianna Macleod (Program) | p. 290 |
| Revisionary Definitions | |
| Gender and the Canon: When Judith Shakespeare At Last Assumes Her Body | p. 291 |
| "A Voice Bubbling Up": Mrs Dalloway in Dialogue with Ulysses | p. 299 |
| To The Lighthouse Again | |
| The Housemaid and the Kitchen Table: Judgment, Economy, and Representation in To the Lighthouse | p. 309 |
| Three Guineas: New Perspectives | |
| Women's Voice: Three Guineas as Autobiography | p. 321 |
| Bloomsbury Revisited: Flipping through the Albums | |
| Was Virginia an "Apostle" of G. E. Moore? Woolf's Idea of Friendship in her 1918-1919 Diary | p. 329 |
| "The double eye of love": Virginia Woolf and Mary Hutchinson | p. 337 |
| Notes on Contributors | p. 345 |
| Conference Program | p. 351 |
| Table of Contents provided by Blackwell. All Rights Reserved. |
