Illustrations | p. ix |
Foreword | p. xiii |
Editor's Note | p. xv |
William Kearns's Contribution to American Music | p. 1 |
Doctoral Programs in Music Education: A Personal Reminiscence | p. 5 |
Solioquoy, for Horn Alone | p. 17 |
Hezekiah Cantelo an Eighteenth-Century Dance Collector in British-Occupied New York | p. 19 |
Early American Psalmody and the Core Repertory: A Perspective | p. 39 |
Practicality, Patriotism, and Piety: Principal Motivators for Maine Tunebook Compilers, 1794-1830 | p. 63 |
"Children in the Wood": The Odyssey of an Anglo-American Ballad | p. 77 |
Mountain Calls, for French horn and piano | p. 97 |
Musical Theater as a Link between Folk and Popular Traditions | p. 99 |
Go Tell Aunt Rhody She's Rousseau's Dream | p. 125 |
Fanfares, for Six French Horns | p. 151 |
The Piano Works of P. Antony Corri and Arthur Clifton, British-American Composer | p. 157 |
Music Research in Nineteenth-Century Theater: or, The Case of a Burlesquer, a Baker, and a Pantomine Maker | p. 179 |
A Childhood Recollection: "Lunch at the Putnam Camp" | p. 195 |
The Yale Song Books, 1853-1978 | p. 197 |
Hermann Lawrence Schreiner, Music Merchant and Tunesmith in the Nineteenth-Century South | p. 221 |
"Unknown," No. 13 in They Said ..., for voice and piano, from The Art of Belly Canto | p. 237 |
Chadwick and Parker of New England: Composers, Allies, and Friends | p. 239 |
Early Bands in an Idaho Railroad Town: Pocatello, 1887-1930 | p. 251 |
Arthur P. Schmidt: The Publisher and His American Composers | p. 267 |
Abigail Stone, Act I, Scene One | p. 283 |
Community Theater, Caliban by the Yellow Sands, and Arthur Farwell | p. 293 |
The Musical Quarterly and American Music | p. 309 |
Musical Emissary in America: Nadia Boulanger, Normand Lockwood, and American Musical Pedagogy | p. 321 |
Nocturne | p. 335 |
Old World Origins of the Matachines Dance | p. 339 |
New World Inspiration and Peggy Glanville-Hicks's Opera Nausicaa | p. 357 |
Index | p. 369 |
List of Contributors | p. 377 |
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