With Voice and Pen Coming to Know Medieval Song and How It Was Made Includes CD

by Treitler, Leo

• ISBN13: 9780199214761
• ISBN10: 019921476X
• Format: Paperback
• Copyright: 2007-03-29
• Publisher: Oxford University Press

Summary

Leo Treitler's seventeen classic essays trace the creation and spread of song (cantus), sacred and secular, through oral tradition and writing, in the European Middle Ages. The author examines songs in particular - their design, their qualities and character, their expressive meanings, and their adaptation to their communal and ritual roles - and explores the chances for, and the obstacles to, our understanding of traditions that were alive a thousand years ago. Ranging from c. 900 (when the written transmission of medieval songs began) to 1200, Treitler shows how the earlier, purely oral traditions can be examined only through the lens of what has been captured in writing, and focuses on the invention and uses of writing systems for representing these oral traditions. Each of these seminally influential essays has been revised to take account of recent developments, and is prefaced with a new introduction to highlight the historical issues. The accompanying CD contains performances of much of the music discussed.

Author Biography

Leo Treitler emigrated to the USA in 1938. He studied at the University of Chicago and Princeton University. He has held professorial appointments at the University of Chicago, Braudeis University, and the State University of New York at Stony Brook, and visiting appointments at the University of California at Berkeley, Yale University, Columbia University, New York University, Harvard University, the University of Basel and Johann-Wolfgang-Goethe University in Frankfurt.

Table of Contents

Medieval Improvisation

Written Music and Oral Music

The Vatican Organum Treatise and the Organum of Notre Dame of Paris

'Peripheral' and 'Central'

On the Structure of the Alleluia Melisma: A Western Tendency in Western Chant

Homer and Gregory: The Transmission of Epic Poetry and Plainchant

'Centonate' Chant: Ubles Flickwerk or e pluribus unus?

Lingering Questions about 'Oral Literature'

The Politics of Reception: Tailoring the Present as Fulfilment of a Desired Past

Oral, Written, and Literate Process in the Music of the Middle Ages

Observations on the Transmission of Some Aquitanian Tropes

History and the Ontology of the Musical Work

The Early History of Music Writing in the West

Reading and Singing: On the Genesis of Occidental Music-Writing

Speaking of Jesus

Medieval Music and Language

The Marriage of Poetry and Music in Medieval Song

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