List of Illustrations | p. vii |
Acknowledgments | p. ix |
Introduction: The Historical Importance of Schlöndorff | p. 1 |
Schlöndorff and His Sources | p. 11 |
The Early Schlöndorff: Suppression, Pop, and Protest | |
Young Törless | p. 25 |
A Degree of Murder and "An Uneasy Moment" | p. 40 |
Michael Kohlhaas | p. 48 |
Brechtian and Profeminist Schlöndorff | |
"Amphibious" Movies and Formal Experiments | p. 63 |
Baal | p. 78 |
The Sudden Wealth of the Poor People ofKombach | p. 88 |
The Morals of Ruth Halbfass and Overnight Stay in Tyrol | p. 100 |
A Free Woman | p. 112 |
Georgina's Reasons | p. 121 |
The Lost Honor of Katharina Blum | p. 128 |
Coup de Grâce | p. 144 |
The International Schlöndorff | |
A German Consciousness for an International Audience | p. 157 |
The Tin Drum | p. 164 |
Just for Fun, Just for Play-Kaleidoscope Valeska Gert, The Candidate, and War and Peace | p. 183 |
Circle of Deceit | p. 194 |
Swann in Love | p. 206 |
The American Schlöndorff | |
A German Filmmaker in the United States | p. 219 |
Death of a Salesman | p. 223 |
A Gathering of Old Men | p. 234 |
The Handmaid's Tale | p. 247 |
The Post-Wall Schlöndorff | |
A Filmmaker for the European Community | p. 265 |
Voyager | p. 275 |
The Ogre | p. 289 |
Billy, How Did You Do It? and Palmetto | p. 303 |
The Legend of Rita and "The Perfect Soldier" | p. 309 |
Conclusion | p. 319 |
Filmography | p. 329 |
Appendix: U.S. Film, DVD, and Video Sources | p. 334 |
Notes | p. 337 |
Works Cited and Consulted | p. 340 |
Index | p. 357 |
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