Foreword | p. 11 |
Preface: Cultural Identity in the Multicultural Niger Delta | p. 15 |
Acknowledgments | p. 22 |
Notes on Orthography | p. 23 |
Introduction: Charting a Course | p. 25 |
Early History, Trade, and Contact | |
Lower Niger Bronze Industries and the Archaeology of the Niger Delta | p. 39 |
Exploration, Trade, and Colonization | p. 60 |
From Middlemen to Missionaries | p. 67 |
Privilege and Power: Merchant Princes of the Eastern Delta | p. 80 |
Nanna of Itsekiri, "Merchant Prince of the Niger Delta" | p. 86 |
Bulletproof: Exploring the Warrior Ethos in Ijo Culture | p. 91 |
Forms of Ivri | p. 120 |
The Urhobo | p. 126 |
Environment and Cultural Confluence | |
From River Horses to Dancing Sharks: Canoes and Fish in Ijo Art and Ritual | p. 133 |
Water Spirit Shrines | p. 162 |
The Isoko as a Delta People | p. 167 |
Molded Shrine Arts | p. 188 |
Celebrating Water Spirits: Influence, Confluence, and Difference in Ijebu-Yoruba and Delta Masquerades | p. 193 |
The Dancing People: Eastern Ijo Masking Traditions | p. 216 |
Arts and Identity | |
Everyone to His Quarter: Ethnic Interaction, Emulation, and Change in Itsekiri Visual Culture | p. 223 |
The Owu/Oworu Masquerade Complex | p. 244 |
Tricks of the Trade: A Study of Ikakibite (Cloth of the Tortoise) among the Eastern Ijo | p. 251 |
Maidens, Mothers, Mediums, and Matriarchs: Women of the Niger Delta | p. 268 |
The Arts of the Ogoni | p. 275 |
Obolo Arts | p. 302 |
Fitting Farewells: The Fine Art of Kalabari Funerals | p. 307 |
Making Waves: The Art of Bruce Onobrakpeya and Sokari Douglas Camp | p. 330 |
Conclusion: Reflections--Looking Back on our Journey | p. 335 |
Regattas, Then and Now | p. 340 |
Crosscurrents and Confluences: Linguistic Clues to Cultural Development | p. 345 |
Notes to the Text | p. 352 |
References Cited | p. 356 |
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